Patricia Wild

Is There A Theme, Here?

[Broken Mirror on Sidewalk Self-Portrait, 2016]

A getting-to-know-you lunch with a yoga classmate, Muhammad Ali’s death, my 50th college reunion, a late-afternoon lobbying session (with other, WAY more informed people) to discuss an upcoming energy bill with my state rep; is there a theme, here? (besides the fact that I’ve simply noted some highlights of this past week?)

Why, yes, there is!

Let’s put it this way: at my Wheelock College reunion Saturday, someone asked a group of about thirty Class of ’66 members who’d read Atul Gawande’s Being Mortal. Most of us had.

Being mortal/growing old: for me, Ali’s death has proved a telling benchmark, a very real, very concrete measurement marking how vastly different the young me of the mid-sixties, who’d regarded Cassius Clay/ Muhammad Ali with fear and scorn and, yes, confusion, and the seventy-one-year-old me who marvels at, celebrates his witness* against racism and oppression and war!

So, yeah, I’m no longer pre-intimation of mortality. I’m mortal.

We all are. Which is why I went to lunch with that yoga classmate, a delightful woman who usually places her mat next to mine. The classmate who used to put her mat there (and who often said she and I should get together but when it came time to actually set up a date . . . ) died. Tragically. And why I, ever-mindful of the urgency of addressing climate change, showed up at a 4:30 meeting to discuss an energy bill. Because who else can show up during working hours? Activists and pensioners!

*In Quakerese: to stand up, to show up, to speak out about, to get arrested for some injustice you’ve been moved (“led”) to protest.

Rewriting the Past

[ a (Defiled) “This Changes Everything” poster, Somerville Ave, 2016]

Years ago at an anti-war demonstration—Vietnam, this time—poet Allen Ginsburg made a startling announcement from the podium: “If the United States government can illegally declare this war,” he shouted, ” I can declare that it’s over! Yes! I declare that this illegal, horrible war is over! Bring the troops home! Peace at last!” And the crowd cheered and wept and hugged and released balloons (it was the 60s; we brought balloons to demonstrations back then.)

I cheered and wept and hugged, too. And for four or five seconds I celebrated Ginsburg’s fantasy. I believed it. More important, that brilliant poet had given me, had offered all of us a brief, delicious taste of What Might Be. Could Be. He’d allowed us to experience how it felt, ever so briefly, to live in a country not at war. Imbedded in that contrived moment was an incentive: “Your heart lifted, sang just now? And you were filled with hope? Nice, right? Then keep on keepin’ on. Keep protesting.” So we did.

Sometimes, these days, as my Loved One remembers less and less and my actual childhood is being rewritten to resemble a fairy tale: “. . . and they all lived happily ever after,” I don’t correct her. Just as I don’t correct her when she confuses times or names or other pesky facts. I don’t remind her that, actually, our relationship was “fraught,” as my father would say. No, instead, like that balloon-releasing moment of unadulterated joy, I briefly savor a childhood that never happened but is filled with love—the same love I now see in my Loved One’s eyes. And, like Ginsburg’s “peace,” possible.

(I guess it’s true: it’s never too late to have a happy childhood.)

Sawing away Making God-Awful Noises

[Trondheim, Norway]

“Life is a public performance on the violin, in which you must learn the instrument as you go along,” says E.M. Forster. It’s that “public performance” that most moves me. The sad, cold, hard fact is that sometimes, while we saw away making god-awful noises we’re on stage, in rhinestones or tux, a horrible disappointment to our audience and ourselves. Flop sweat soaking our evening wear, grimly we work through our repertoire. No one claps.

( I can still remember the first time I was in a high school play how, after months of rehearsal in a large and empty and drafty auditorium, that at our first performance I’d walked on stage to feel all those bodies’ warmth—and to hear their rustling anticipation/impatience.)

But what if we brought tolerance into that auditorium with us? What if we took our seats as if at an ongoing Suzuki recital? What if we whispered, “Wow! Last time he/she played that last bit he/she was much, much worse! What an improvement!” What if we cheered and clapped without ceasing.

We could note our own improvement, too. What if we whispered to ourselves as we strode onstage, our hands already sweaty: “I’m learning this as I go along.” And forgave ourselves for not being Perfect.

“Stay There!”

Overheard at the Union Square farmers’ market: A young man loudly whined; the young woman beside him muttered “Stay there.” As if to say, “Stay in your petulance! Listen to yourself! Take whatever time you need to remember that you’re a white, American male—the most privileged creature on this planet—and hear how you sound like a spoiled three-year old!”

That woman’s verbal eye-roll* reminds me of an oft-quoted Quaker story:

There is a widely told, entirely apocryphal, story that at one time George Fox and William Penn met. At this meeting William Penn expressed concern over wearing a sword (a standard part of dress for people of Penn’s station), and how this was not in keeping with Quaker beliefs. George Fox responded, “Wear it as long as thou canst.” Later, according to the story, Penn again met Fox, but this time without the sword. Penn then said, “I have taken thy advice; I wore it as long as I could.” Though this story is entirely unfounded, it serves as an instructive parable about Penn’s Quaker beliefs. (From Brief History of William Penn)

Of course, Penn’s individual sword-wearing-until-he’d internalized-Quaker-beliefs is one thing; the hatred, the racism, the violence we’re witnessing as countless white Americans act out in this time of incredible and radical and inevitable transition—and possibility—is truly terrifying! Right now, staying there is scary.

(And sad. I get that. I understand the sadness beneath the violence.)

And, given climate change, none of us have much time to ponder, to contemplate, to leisurely make peace with that sword. (Talk about incredible and radical and inevitable!) So let’s get to it. Now. Let’s do whatever’s needed, with love and with compassion and grace—whine, acknowledge our shame, our guilt, mourn, grieve, make reparations, accept; whatever—so we can embrace that Big Change that’s gonna come.

Together.

*Thanks, Anna

PS: One day later, I’m not comfortable with what I’ve said, here. There’s too much more that needs to be said. So, Dear Readers, please consider the words above as a Work in Progress.

To be continued (and prayed over) . . .

“Coolness of spirit is a precious frame”

Yesterday brought the news that a second friend—and, like the first, a valued, pivotal member of this community—has been priced out of her Somerville home. So although yesterday was a banner day for the ‘ville,* I’m sad.

Sad: When I was younger, I constantly confused Anger with Sadness, frantically lashing out at whoever/whatever upset me. Sometimes that anger fueled, energized projects; sometimes that anger meant “Fix It!” (Sometimes I could.) But mostly my anger kept me fuming, stuck. It affected my health. It affected my family, my marriages, my children. Afraid to let what I was really feeling to come forth, afraid to let myself be sad, it seemed somehow safer to just get pissed off!

But over decades—and lots of therapy—I have come to appreciate Isaac Pennington’s advice to a F/friend in 1679: O! Keep cool and low before the Lord, that the seed, the pure, living seed, may spring more and more in thee, and thy heart be united more and more to the Lord therein. Coolness of spirit is a precious frame; and the glory of the Lord most shines therein—in its own lustre and brightness; and when the soul is low before the Lord, it is still near the seed, and preciously (in its life) one with the seed.

So, on this lovely morning with lilacs in full bloom, I will let my soul stay low for a while and wait to see what springs forth.

* The Green Line extension, which will provide much needed light-rail transportation to my neighborhood, was (conditionally) approved yesterday afternoon and, last night, Somerville’s aldermen approved a 20% inclusionary bill which requires that 20% of all new housing be affordable.

“The Revolution Will Not Be in English”

Pretty sure the Big Changes a-comin’ will not come easy. Yet am moved to suggest that not only will the revolution not be in English, it might not be in words. It might be/could be as quiet and as powerful as love. William Penn suggested in 1693: “Let us then try what Love will do.” Now, there’s a revolutionary idea!

An example: After I’d read on Facebook that dandelions are a much-needed early-Spring flower vital to bees —so please don’t pick or uproot—I began noticing those sunny flowers—formerly considered pesky weeds— everywhere! Left in peace. Allowed to grow. And flourish. Even on Harvard University’s manicured campus. “Inconceivable!”

I know, I know; right about now you’re saying: “Patricia’s nuts. The inmates run the asylum and hatred is rampant. Love? Faggetaboutit.” (You might be right.)

So let’s unpack that at-first-glance-ridiculously-fey example: For starters, let’s talk about Facebook and game-changing social media. And how new, good ideas like The Dandelion Story get instant play with a simple picture and a slogan. Powerful stuff! And no blood was shed.

The Dandelion Story goes deeper, taproot deeper. Because how many of us as kids spent our suburban Saturdays pulling up those pesky weeds? (Some kids got a nickel for every plant dug up. My parents didn’t roll that way. No, my “reward” was to discover the joy of completing hard, sweaty work! And, when done, how delicious a glass of cold water tasted.) And how many of us, by the second hour or so on our youthful knees, wrestling with those dandelions’ stubborn, deep-in-the-ground taproots, wondered: “Why the heck am I doing this? Because this plant’s fighting me. It wants to live. It has gained my respect! Why, besides the fact that my parents told me to, am I doing this?” (Or something mystical or in-the-moment or At One With The Universe like that.) So how many of us, now knowing what we know about endangered bees and dandelions’ newfound respect and recalling our rebellious yet In Tune With Nature youthful selves can think: “I was right!” More important: How many of us now begin to wonder about other “weeds” we need to look at more appreciatively? Other long-held ideas we haven’t rethought. Other ways Mother Nature is asking us for our respect?

Answer: Enough people to make a revolution!

April is The Cruelest Month . . .

. . . and this year, ridiculously busy! Yet despite my too-long To Do list, I’ve been led to organize a “thank you note” party at Somerville Community Growing Center in honor of Arbor Day—and my beloved community’s trees!

A little background: Somerville is the most densely populated community in New England, with lots of people and buildings and cars and parking lots; trees and open spaces? Not so much. So whatever trees we do have that have managed to survive development and pollution and gas leaks and neglect certainly deserve our entire community’s hearty thanks! Especially since, given our heating-up planet, this summer promises to be, as New Englanders say, “A Skawchah.” (translation: Scorcher, i.e. hot as hell.) And with both an interstate and several major thoroughfares transecting our 4.209 square miles, we need every leaf from every tree to help mitigate all that heavy traffic!

So, Friday evening, weather permitting, we’ll write “thank you” in many languages on hanging-style names badges, decorate them, too, and then hang our grateful creations on trees all over the city!

A problem: that huge To Do list! Which means, dear friends, that I haven’t actually done much to get the word out that this little event’s even happening. Especially to those people, many of them poor, who live along the I-93 corridor and whose health and well-being is so compromised by where they live and what they breathe. A definite FAIL!

But as we also love to say here in New England: “Wait ’till next year!” (Actually: yee-ahh)

Whence Cometh My Strength?

[Salt Lake City International Airport, April 18, 2016]

Although I have visited Salt Lake City several times (two precious grandchildren live there; need I say more?), on last week’s trip, I could not get enough of those Rocky Mountains! Again and again I found myself gawking—and since two mountain ranges encircle the city, such open-mouthed opportunities were plentiful. At the zoo, at the Natural History Museum, at two different soccer fields, at playgrounds—do you detect a pattern, here?—there they were!

Why? Why, now? What is it about souring, snow-capped mountains that so deeply spoke to me? Whose spiritual life is, generally, inward. A couple of thoughts:

I think I was thirsty for an overpowering, not-human-scale experience. (I think lots of hemmed-in East Coast people are.) I needed to drink in sheer, magnificent, soul-nourishing Beauty; “Living Water.” And so I did.

And I think I needed to somehow connect with other, live-beyond-Route 128 Americans for whom the sight of a snow-capped mountain or corn fields as far as you can see or the mighty Mississippi or . . . is routine. To try, as best I can, to imagine how such daily sightings might play out in others’ lives; a baby-step spiritual exercise.

And so I am trying.

Family Business/Family Secrets

[1800’s Chinese rice-paper painting of a “cloud couch” (used for smoking opium) in a Chinese home : a Wild family heirloom.]

Saturday, I drove to Bristol, Rhode Island to spend some precious, one-to-one time with my twenty-year-old nephew, a student at Roger Williams University. My first time there, he showed me around the campus; touring the glitzy Global Heritage Hall, he referred to Bristol’s slaving trade history—in the way only a principled young man can bring up such a charged subject: with pain, horror, and outrage behind his widened eyes. Global heritage, indeed!

And I immediately remembered “Traces of the Trade: A Story of The Deep North,” an excellent documentary I’d seen years ago re the DeWolf family and its incredibly lucrative slave-trading “family business,” a film so powerful and eye-opening that my own horror—and realization that many New England families were very much complicit in this national shame—is still with me.

What hadn’t stayed with me was the name of the DeWolfs’ hometown. So while driving through the charming and well-appointed seaside village of Bristol before arriving at the Roger Williams campus, I had not thought: this wealth is the result of slavery! But going back into town for lunch, I saw that waterfront resort through informed eyes.

Which begs the question: what about my own New England family? Were Wilds (and Horries and Coghills and Miricks and Faulkners and . . .) complicit? And it seems to me that the Truthful/spiritual answer is: of course! In some way, large or small, all 18th and 19th century white families in New England were complicit, tainted; all had benefitted by slavery in some way. Family business, family secrets, indeed!

A Prayer: May that acknowledgement light my way.

A final note: That accompanying rice painting is one of a set of three hand-painted Chinese scenes that had been given to me by my Aunt Amy ( Prescott Wild Zlotnick) in 1980; they’ve hung on a hallway wall for years and years. But one day, prompted by that opium pipe and “Traces of the Trade,” I became curious: did my family have another, more explicit dark secret? Did we have anything to do with the opium trade? The rice paintings had been brought back from China by Isabella Faulkner Ranlett, the wife of a clipper ship captain, Charles A. Ranlett, Jr. Belle, who died in China, had been the sister of my great grandmother, Amy Faulkner Wild. Had Belle’s husband’s clipper ship, The Surprise,* delivered opium? Had Belle known?

Answer: It seems not for 2 reasons: a) the dates when that ship sailed the China seas and the (again, incredibly lucrative) period when the British and Americans sold opium to the Chinese do not align [see Jay Dolin’s excellent When America First Met China for an excellent account) and b) probably not since, unlike other New England families of that era, like the Delanos and the Forbes and the Cabots, my family isn’t that rich!

This link, re the Delano family aboard The Surprise, briefly and covertly acknowledges the source of their wealth!

“All Bend in One Wind” (Wendell Berry)

[Norway, October, 2015]

On my way to Friends Meeting at Cambridge Sunday morning, my phone rang. It was my brother; his best friend—someone I barely knew—had died the night before. So in silent worship I held my brother and his friend and his friend’s family “in the light,” as Quakers say. Which, for me, means I waited to hear what that small still voice* might teach me about this sad news.

A lot, it turned out. I found myself remembering Harriet Lerner’s Dance of Anger, for example, a wonderful book I haven’t consciously thought about in years. Lerner pointed out how exquisitely families organize, balance themselves. Recalling her wisdom prompted me to be open to the very real possibility that this tragic loss for my brother will impact the rest of our family. And to spend some time thinking how this wind of death and loss and grieving might bend all of us; what that might look like. And how I might be a Be There (as in that supreme compliment: “He/she was always there for me.”) sister.

Something else came to me in that pregnant silence: How in 1985, when I’d read Dance of Anger, how little I’d understood the concept of interconnectedness. (Safe to say I probably didn’t get it AT ALL!) And how, thirty-one years later, I do. I believe. Without ceasing.

Oh, yeah.

* Sometimes called The Inner Teacher

“More powers and personalities than are visible”

[Chevy Hubcap; San Diego, 2015]

I was ten years old the first time I saw “Friendly Persuasion”— at a small-town movie theater in upstate New York.* Surrounded by classmates and friends, devouring, sating myself on an entire box of Welch’s Pom Poms, I watched lots of movies at that movie theater. Kids did that in those days.

Later in my life, after I had become a Quaker, I watched that 1956 movie again and was pretty horrified by this schmaltzy version of Jessamyn West’s best seller. But by then I’d understood enough about child development—and movie making—to realize that this “In Magnificent Colour” feature, with its simpy theme song sung by simpy Pat Boone and its other Hollywoodisms, had nevertheless made a real and lasting impression. About war. About the challenges of living out one’s faith. And, to some degree, about what it means to be a Quaker.

So last week, when I spotted a used copy of Jessamyn West’s short stories for sale at my Quaker meeting, I eagerly bought it, curious about this Quaker writer who may be better known these days as a distant cousin of Richard Nixon than as an accomplished writer in her own right/write. And as a Quaker writer, myself, I was also curious if I’d discover overt or covert references to her faith in her writing.

What a beautiful writer! For the past week I’ve been sating myself as if devouring Pom Poms again. A fairly frequent visitor to southern California, I have especially relished her exquisite descriptions of Inland Empire wildlife and small-farm family life as it once was.

But, no, I haven’t come across much “Quakerly” writing—but perhaps I’ve missed them. Because, as you will see, West was a SLY Quaker writer:

“My God, my God,” Mr. Fosdick said.

Mr. Fosdick used the name of God, Christ, Jesus, heaven, hell, the devil, and damnation very often. I wouldn’t exactly call it cursing. It was more as if he felt himself the resident of a universe where there were more powers and personalities than were visible, and that this was his courteous way of letting them know that he was aware of them and was trying to include them in his life. (from “Up A Tree”)

*Think “Bedford Falls”—which was actually Seneca Falls, NY—from “It’s A Wonderful Life”

“Its Hardship is Its Possibility”

[“Upheaval”: Arlington, MA sidewalk, 2016]

So many stories! There’s the story of an orange-haired, petulant racist we’re forced to hear again and again. And, oddly, there’s another story, the Feel the Bern story, notable for not being told—or gets “stealth-edited” within hours! (“Get me Rewrite!”) There’s an ancient, horrible story we lament this morning about innocents losing their lives in war, this time in Brussels. There’s another story many tell this week, the Holy Week story, that begins with strewn palms and hosannas and ends with betrayal and death.

I am trying to listen to another timeless story. It comes out of the earth. You can hear it in birdsong and the soughing of pine tree branches. (A wind chime will do.) It’s told every spring when the Northern Hemisphere tilts towards the sun. It demands we listen when a blizzard or hurricane or tsunami strike.

But because so many of us are not listening to this timeless story, it’s editing itself. And not by stealth, either, right? Superstorms, record-breaking temperatures, drought; undeniable plot twists.

Troubled by this edited story, fearful it is doomed to end tragically, grieving for Mother Earth and for my grandchildren’s future, I turn once again to Wendell Berry. (No, not “The Peace of Wild Things” this time.) This one:

A POEM

If we will have the wisdom to survive,
To stand like slow growing trees on a ruined place,
Renewing, enriching it,
If we will make our seasons welcome here,
Asking not too much of earth or heaven,
Then a long time after we are dead
The lives our lives prepare will live here,
Their houses strongly placed upon the valley sides,
Fields and gardens rich in the windows.
The river will run clear as we never know it,
And over it the birdsong like a canopy.
On the levels of the hills will be green meadows,
Stock bells in noon shade
On the steeps where greed and ignorance cut down the old forest,
An old forest will stand, its rich leaf-fall drifting on its roots.
The veins of forgotten springs will have opened.
Families will be singing in the fields.
In their voices they will hear a music risen out of the ground.
They will take nothing out of the ground they will not return,
Whatever the grief at parting,
Memory, native to this valley, will spread over it like a grove,
And memory will grow into legend,
Legend into song, song into sacrament.
The abundance of this place, the songs of its people and its birds,
Will be health and wisdom and indwelling light.
This is no paradisal dream. Its hardship is its possibility.

Wendell Berry