“Unidentified Artist”

Detail from “Pieta” by an unknown artist, circa 1470, School of Avignon, France.

My mother isn’t doing well. Despite pain meds and massages and ice packs and the tender, loving care she receives from her long-term-care facility’s excellent staff, she suffers. She weeps. She’s horribly confused. Sometimes she’ll tell me about her conversations with my father (he died in 2010); sometimes she perseverates, “Who’s taking care of him? He’s over a hundred, you know.”!

For most of my life I’ve had a complicated, fraught relationship with my beautiful and brilliant and, until late in her life, unrealized mother. “You know,” she told me years ago; she might have been drinking.”You should have been my mother.” Over time I came to understand why this crazy-weird impossibility was so tragically true. Therapy helped. Al-Anon helped. Having four daughters of my own helped. Getting older—both of us—helped. And for the past three years, being able to drive fifteen minutes to visit her in her private, sunny room surrounded by her own paintings and photographs and books helps. That she receives meds to ease her lifelong anxiety and depression helps. (She pays a pretty penny for this care; an obscenely huge amount. Which she can afford. Until she won’t.)

Yet even on the best of visits, when we’ve “walked” along wheelchair accessible pathways to see how the community gardens’ tomatoes fare, or strolled down to a lovely, little pond to watch turtles and fish and, sometimes, a blue heron; even then, I’d come home and take a nap!

So, last night, worried about her and wiped out by another too-hot, terrifyingly unseasonal day, I lay on my bed, AC valiantly chugging along, and, headphones on, listened to music. I didn’t curate my selections; I just listened to what I love. (Or so I thought.) Like Maria Callas’s “Casta Diva.” Or Faure’s “Requiem” which, the first time I heard it, on my car radio on the way to work, triggered a peak religious experience. Yes, triggered. For having just experienced The Whole, That Which Is Beyond Words, Spirit’s Transcendent Love, all I could think of was “Well, this is highly inconvenient! Right here on Mass Av in Porter Square? Couldn’t I have been in a forest?”

Oh, right, I realized, listening to Faure’s gorgeous mass. Requiem! Ummm, as in death? As in my mother’s tears of pain, certainly, but also her tears of shame and sadness that she’s so helpless and weak; as in her dim understanding of what, possibly, is happening to her? As in, perhaps, that the veil between the living and the dead begins to thin for her; she’s catching glimpses of what I cannot see? Like my father? As in that I am in mourning for my beautiful and brilliant and realized mother; I am in mourning for a Mother Earth who is much too hot, now. (Jeez.)

And that, again, mysteriously, an Unidentified Artist some call Spirit loved me, guided me.

 

 

 

 

 

 

 

Being Grammy

Reading “The Granddaughter Necklace” at Grammy’s house, August, 2018

For the past week I’ve been “Grammy.” That this delightful grandma-derivation is both something my beloved granddaughter began calling me one day, but can also mean prize-winning musicality, makes me very happy. Being Grammy makes me very happy— in the same way I feel whenever I am doing what is truly asked of me. Why is that?

What is it about being a grandmother that feels so “in the place just right”? For starters, spending time with the children of my children is a non-stop intimation of mortality! As Grammy, I am ever-aware that, yup; I am going to die. I. Just. Always. Am.

This fundamental realization immediately prompts a couple of questions: Okay, then, Grammy. So how do you want to spend this time with this child? And what do you want this child to remember about you?

So, yes, I am probably My Best Self as Grammy but, honestly? The role—which, for me, blessedly, also means being retired—allows that. Having cleared my calendar of all but the most essential duties and responsibilities when my grandchildren come to visit, Grammy time is pretty leisurely. You want to dawdle over breakfast, spend all morning in your jammies? No worries. (I could go on and on about this! But won’t.)

And what do I want this child to remember about me? My stories. Stories about when this child’s mother was a little girl; yes. Of course. But stories, too, about when I was a child; how different the world was, then. For I learned from my own, gifted, story-teller Grandma what a blessing it is to look at one’s own life as the next installment of an ongoing, mysterious, amazing story. To understand how we stand on the shoulders of those who came before us.

And, yes, looking into the eyes of my beloved grandchildren, I know I am looking into The Future. And ask myself: what am I, Grammy, called to do?

 

 

 

 

Sitting This One Out

Summer Rain, July, 2018

Sometimes I just want to sit on my front porch. Sometimes I don’t want to read my emails or The New York Times. Sometimes I don’t care what Jennifer Rubin has to say. Or Bill McKibben. Or Naomi Klein. Sometimes, especially after a grueling heat wave, I just want to sit on my front porch and gratefully bless every precious drop of rain as a heat-wave-ending thunder storm begins. I don’t even need a glass of lemonade; I just need to be drowsy-grateful. Quiet. Alone. Did I mention grateful?

Ah, but as those “Could Do Better Work”* voices in my head constantly remind me, opting out, sitting this one out, there’s your White Privilege is action, lady. (Okay. Inaction, if you want to get technical about it.) “You’re not going to be deported or sent to jail, are you, Patricia? You are not targeted by this administration’s racist, Nazi-Germany nightmare.** And hey! What about climate change and the terrifying future your grandchildren will inherit? Huh? Sure, gratitude is nice and all but TIME’S A-WASTIN’ AND THERE’S WORK TO DO!”

Here is what I am learning to whisper to those nagging voices: Do not be daunted by the enormity of the world’s grief. Do justly, now. Love mercy, now. Walk humbly, now. You are not obligated to complete the work, but neither are you free to abandon it.” – From The Talmud, 303.

And, dare I add, taking time out just to be grateful and to recharge your batteries is A Good Thing, right?

(Just don’t make a habit of it, okay?)

 

 

 

*What my teachers invariably wrote on my reports cards

** Not yet, anyway. But, to paraphrase, those who don’t read history are doomed to be horribly surprised when they discover they’re next on the Target List.

 

Touching

When you visit someone in a Massachusetts prison, what you’re wearing must conform to a very long and very specific list of do’s and don’ts. Every month, I reread this list beforehand. Every month I always mess up one thing. This month? I completely forgot I was wearing an underwire brassiere. So when going through security I set off the metal detector and was just as mystified as the guards. My genuinely-puzzled-quickly-morphing-to-mortified look must have convinced them I’d (again) made an honest mistake so, thank you, Jesus, I was allowed to see my friend. Who is being held in a Special Management Unit— AKA The Hole. Did the fact that I was visiting someone in solitary confinement—a form of incarceration many consider torture, inhumane—influence those guards’ decision to cut me some slack? I’d like to think so.

About that jewelry I leave on the top of my bureau: No Iris Apfel but, as another aging woman determined to look her best, I do wear a little bling; six silver bracelets I’ve collected over the years, one for each offspring, on my left wrist, for example. I love their collective tinkling/chiming as my dominant hand moves through my daily life. My wedding ring (which doesn’t look like a wedding ring so I take it off), a lovely silver and amethyst necklace my step-daughter and daughter-in-law gave me, my watch; these are part of me; stripped of them I feel off-balance. Thoroughly intimidated. Not myself. Which is why, every damned month, I mess up!  My fear, imbalance, and not-feeling-grounded get in the way of my being my best self.( I may be overstating this—but not by much.)

I’m coming to accept this about myself. To accept that, hell yeah, I need some kind of physical, against my skin “Dumbo’s Magic Feather” as I walk inside MCI Norfolk to be the loving and present person my friend deserves.

So, here’s my against-my-skin solution: Nina Ricci’s “L’Air Du Temps!  Background: Trying to almost literally inhabit a new character for a novel I’m slowly working on, it came to me that “Nora,” an aging screenwriter based in LA, would wear this classic scent. (She just would. You’ll have to trust me on this.) So I bought an on-sale bottle of this cologne from the drugstore down the street and when I’m writing about Nora, give myself a few squirts. It’s also a perfume very popular when my mother was a young woman so I wear it when I visit her. It makes her happy. And now I wear it on prison visits, too, a kind of self-annonting this far-from-perfect woman trying to do prison ministry (that would be me) absolutely must have, apparently, and reminiscent of Luke 4:18:

The Spirit of the Lord is upon me, because he hath anointed me to preach the gospel to the poor; he hath sent me to heal the brokenhearted, to preach deliverance to the captives, and recovering of sight to the blind, to set at liberty them that are bruised,

 

 

 

 

Extraction

 

Coal Barge, Ohio River, June, 2018

“If you are a hammer everything looks like a nail,” right?  Or, since I recently had a molar pulled, I’ve been thinking—ahem—deeply about extraction. About trauma and pain. About “Keep it in the ground.” About The Extraction Economy. About rape. About women.

Let me be clear: Keeping the remaining reserves of coal, natural gas, and oil in the ground is imperative. Absolutely. Keeping a cracked and festering tooth in my head? Probably not a good idea. So, last week, reluctantly, very reluctantly, I agreed to undergo—well, I’ll spare you the details.

Out of this past week’s trauma and pain has come such tenderness! First for myself, formerly known as Ms. Got-It-Going-On, who now humbly answers to Sort-of-Glued-Together.  (What the hell was I thinking when I gave myself one day to recover? Jeez.)

Oh, such newfound tenderness for our raped Mother Earth! Such abundant tenderness for all who have been used, plundered, abused, invaded. Most, most importantly, such tenderness for my sisters. Who can speak with such authority about—and against—the Extraction Economy. Who can connect dots the patriarchy doesn’t even see. Who can bring our collective tenderness and wisdom to the table, to the board room, to the voting booth.

Because, yes. We got it going on!

 

 

What Do I Yearn For?

A memorial reception with gluten-free or other diary-needs offerings carefully labeled, Friends Meeting at Cambridge, January, 2018

Walking to Meeting on Sunday, I passed a couple of  Ant “dockless” bicycles in front of Harvard’s Science Center, a new company that, like Hubway, the other bike-rental company in greater Boston, uses crossbar-free bikes. Exclusively. “Girls’ bikes,” we used to say. (When I was a kid, I wore dresses. That crossbar was highly inconvenient!)

During the unusually long quiet I found myself deeply moved that Ant’s and Hubway’s bikes are inclusive, accommodating, and account for “the least of these.” (Someone in a pencil skirt, a kilt, a sari? Anyone for whom swinging a leg over a crossbar could be challenging?)

More came to me during the quiet: I remembered a concert a while back, given by Daniel Parker, a former Quaker Voluntary Service fellow, now studying piano at Julliard. (Daniel’s concert was a fund-raiser for QVS.) Before he began Bach’s Goldberg variations, he asked the fifty-or-so-member audience if we wanted him to play straight through or if we’d prefer a break. Some of us—perhaps the same demographic who’d prefer not to swing our leg over a bike’s crossbar?—indicated we’d like a break. “I think we need to respect that,” Daniel said. There was pushback: “Put it to a vote!” someone called out. Gently but firmly, Daniel reiterated that we all needed to accommodate those who’d expressed need.

“What do I yearn for?” I have been asking myself that question a lot lately. Sunday I was offered a glimpse: I yearn to live in an accommodating, inclusive world, a world where day-to-day decisions are made after asking: How will this effect the poor, the homeless, the undocumented, the abused?

Sound good?