“Why Is This Okay?”

[Green Line tunnel]

Recently, driving to the Minneapolis airport for the first time, my husband and I arrived at the wrong terminal. This error turned out to be not a big deal, however, because we’re both fierce and devoted players on the Get To The Airport Super/Crazy Early Team.
Our obligatory journey from Terminal 1 to Terminal 2 involved a quick—and delightful—trip on a Twin Cities light rail. Um . . . wait! What? Public transit can be quiet?
To be fair, greater Boston’s Red Line, one branch of “the T,” is quiet, efficient; pleasant. But, as of March of this year, my Union Square neighborhood is now serviced by the T’s earliest branch: The Green Line.
Which isn’t.
Maybe because I’ve so recently been apprised of what light rail transportation could actually look like, sound like, or maybe because I am worn down by sorta-post-COVID diminishment so bearable urban woes have become less bearable, or maybe I’m becoming a cranky old lady. Whatever the reason, I am shocked, shocked to look around at my fellow passengers still scrolling their phones every time our car makes the slightest turn.”Why is this wretched screeching okay?” I long to ask them.
But here’s the thing: Before the Green Line was extended to my neighborhood, it had been funky, affordable, inhabited largely by students, artists and working class families. Now, tragically, my fellow passengers are people who can afford to live in Union Square!
So for all the wrong reasons, reasons dealing with race and class and entitlement, I have great hopes for a new and improved Green Line!
Jeez.

Comin’ Around Again

When I was young I was very young. And the world I grew up in was a younger world, a world that told me, “When you grow up, you can be a secretary, a nurse, or a teacher.” So for many reasons that seemed relevant in those long-ago times, I chose teaching. Given that those times’ imposed limitations meant that my “choice” wasn’t much of a choice, turns out I am a pretty good teacher! Turns out, interacting with children gives me enormous joy! Turns out, I got lucky.

Over the years my teaching career swerved from teaching elementary school-aged children, as I’d been trained to do in college, to teaching deaf teenagers, to, for almost 20 years, working with adult learners in housing projects, homeless shelters, and at an adult learning center. But when my first book was published in 1998, I declared myself a writer—and never looked back.

Until now. A grandmother, I am once again teaching small children at my Quaker meeting. I’m again writing lesson plans. I’m again buying art supplies. I’m again talking with parents about their children’s needs. I’m again being schooled by insightful and loving co-teachers. And scraping play-doh off a rug. (Oops.)

And while sometimes this gig feels very automatic—”You know, we’ve heard some wonderful ideas from you. Let’s see if someone else has some good ideas, okay?”—something feels absolutely new.

This choice is so, so different, isn’t it! So realized. So informed. So much about joyously reclaiming a part of myself that, yes, I’d only dimly understood over sixty years ago (GASP) when I’d chosen Teacher. So whole.

 

This I What We Do Now:

Last night at a Zoom worship group we were asked, “How has this pandemic affected your world view?” Um—yikes?

In the silence as we collectively pondered, each inside our own little tile, what came to me was something like this: I calibrate differently, now. Living through this constant, relentless pile-up of disaster after disaster, my aging brain now nimbly juggles, judges, assesses, rates, ranks and re-orders the daily headlines. What’s worse now? (And where is my heart most called to hold, pray, feel most profoundly?)

Like this: I live in Somerville’s Union Square which means I live in a neighborhood where I can’t walk on its sidewalks anymore because they’re obstructed by lumber and steel and beeping trucks. A treeless, ugly, noisy, blocks-long and blocks-wide construction site which, until last week, I’d termed “A war zone.”

But: no. For the past two weeks we’ve all seen real war zones, haven’t we. My dismay at what’s happening to my beloved neighborhood has lost primacy in my mental list of Things That Suck. Forever. I’ve recalibrated. And, heartbroken, hold the people of Ukraine and all who offer shelter to its fleeing people in the Light.

Or this: Yesterday afternoon a dear friend worried aloud: “Is there another variant out there? Will we have to go back to another shut-down? What’s going to happen?”

And a mental video of the past two years unspooled. I saw her, I saw me, I saw us, all of us who have survived, just do it!  Again. First we cry, scream, up our anti-depressants; wonder if we have the strength to get through yet another Shit Show? And then, because we have no choice, because we now know that much, much worse things could happen, have happened, we shrug our collective shoulders. We put on our effing masks again.

Because that’s what we do.

 

 

 

“In My Ears”

Getting older sometimes means you think you remember things—but then again, do you, really? As in being told my beloved granddaughter would perform “Eleanor Rigby” with her fellow string players—Ruby plays the bass—at her school’s concert this week. And instantly replying, “The Beatles’ original featured strings , too!”

But did it?I wondered two seconds later. Was what was playing inside my head real?

Yes, Reader. It was.

Here’s what intrigues me: Decades ago, when I first listened to John’s and Paul’s lament on loneliness, I hadn’t heard the strings. I’d merely heard unexpected orchestration; something cool. But this week when recalling that music, “in my ears” I heard the strings. My remembered listening to “Eleanor Rigby” proved much richer, much deeper, much more varied than, to quote another Beatles song, “when I was younger, so much younger than today.”

Cool!

Now, where did I put my glasses?

 

 

Lean Back, (Lean In)

Who shows up for a climate justice demonstration in Boston’s Back Bay on a Friday afternoon? Its organizers,* students, and old people—like the elderly protestor whose excellent sign said it all: “A fossil for a fossil free future.”

In a critically important time when aging White activists like me are being reminded, again and again, to listen, heed, support, and get out of the way of Indigenous, People of Color and White young people, Friday’s demonstration showed me what “Lean Back”** actually looks like. (Spoiler alert: pretty damned amazing!) A day of action nationally, Boston’s demonstration targeted two financial institutions, Liberty Mutual and JPMorgan Chase. For, as Fossil Free Future, who’d organized these nationwide demonstrations declares: “Climate finance is climate justice.”

Taking the T downtown, a trip I hadn’t taken in almost two years, required “beginner’s mind” and proved an excellent spiritual practice for leaning back.  To discover that, Wait! What? Lechmere’s tracks are gone? To walk past the desolate, empty storefronts on once-thriving Boylston Street? To march past Wait! What? skyscapers that have mushroomed throughout downtown Boston seemingly overnight? I experienced my hometown as if for the first time.

The demonstration began in front of Liberty Mutual and then became a march; organizers, BIPOC, young people go first. Shepherded and protected by much-appreciated marshalls, we fossils chanted and sang and chatted as we all walked from Back Bay through the Theater District to our final destination, Downtown Crossing.

It was here, in front of a Chase branch, when I was eldered by an organizer young enough to be my granddaughter. Two middle-aged White women standing next to me suddenly threw themselves onto the ground; “Join us,” they invited me. Oh, I thought. We play dead at demonstrations, now? Okay. And so I joined them on the pavement.

“Get up!” I was immediately commanded. “You’re part of a large group! Why are you drawing attention to just yourselves? I don’t think so,” the organizer declared before stomping off.

Lean back, Patricia.

*This event was organized by a coalition of Indigenous, youth, and climate groups, including the Native American Indian Center of Boston, United American Indians of New England, Indigenous Environmental Network, MA Youth Climate Coalition, Boston Latin School YouthCAN, XR Youth Boston, Fossil Fuel Divest Harvard, Sunrise Boston, Climate Finance Action, 350 Massachusetts, Climate Courage, Massachusetts Teachers Association Climate Action Network, Our Climate, Future Coalition, Tufts Climate Action, Rainforest Action Network and more.

** Advice sometimes given to groups: “If you’ve been speaking a lot, consider leaning back. If you’ve been quiet a lot, consider leaning in.”

Talk to the Hand

[This story centers on someone whose identity I should protect. So will be using the they pronoun.]

Yesterday on a walk, I passed an elderly white person, warmly dressed, waiting in a bus shelter in Porter Square. (And by “elderly” I mean the same age as me!) A second look and, yes, although considerably aged from when I last knew them, they had been a student I’d met years ago when a counselor at Somerville’s adult learning center. So I stopped and, keeping the required six-foot distance, called out their name.

I’ve aged considerably too, of course, so they took a moment or two to recognize me. “Oh, hi,” they said. Without much energy or warmth. Which I surmised—duh— was because they were terrified. So acknowledged the current situation.

“The virus?” they asked; their Azores accent flavoring their terse words. I nodded.

“Ya know,” they said, leaning forward and almost under their breath, giving me a we-both-know-what’s-really-going- on look. And rubbed their thumb and forefinger together, the universal sign for money.

I wasn’t having it; I was not at all interested in their conspiracy theory: “I’m not listening to this,” I told them, turning on my heels.

“God bless you,” they called after me. Which felt like a curse in disguise.

Who, exactly, did they think was making money off of this pandemic? Stewing, brooding, I walked home. The Chinese government, maybe? Big Pharma? Given the ugliness that crossed their face when they’d rubbed their fingers together, however, I’m guessing that former student might harbor long-standing hatred for those so often blamed in times of crisis. I think they may be anti-Semitic. Maybe.

But, suddenly, stomping down the sidewalk, I remembered a salient fact: They had been an ABE 1 student! (Translation: they’re totally illiterate. Cannot read. At all. Nada.) And, if I remember correctly, they’d dropped out after less than a semester. Which means that, most likely, they’re completely dependent on whatever xenophobic bullS@#* Fox News spouts as “news.”

Personally, I cannot imagine enduring this devastating situation without daily devouring multiple newspaper and magazine articles and Facebook postings from wise friends—and then stopping when I’ve had enough already, to listen to music or read a good book. Can you? You, reading these (pearls of great price) words now? It’s unimaginable, isn’t it.

Had I blown a teachable moment? I pondered closer to home. Had I been so appalled, so outraged by their conspiratorial face, those rubbing fingers, that I missed an opportunity to engage?

Perhaps. But do we not show a form of Love when we interrupt hatred? At a time when the president of the United States referred to COVID-19 as “a foreign virus” or, just today, “the Chinese virus,” I think it’s okay, indeed necessary to say, “Talk to the hand!”

And maybe, just maybe, in their “God bless you,” they kinda, sorta were telling me they got that?

Nah.

 

What I’m Taking On For Lent

I’m not giving up anything this year; I’m taking on something. Something I’ve been afraid to take on for most of my life: I’m welcoming everything that happens to me. For, as Francis Weller points out, “This is the secret to being fully alive.” (He also notes how incredibly hard this is!)

Today, Day 3 into this spiritual exercise—which might become a practice—I’m pissed off. Someone I do prison ministry alongside with—well, why go into it? Because, as I remind myself, taking a few, deep breaths, this is capital L Life, right? I am fully alive and still following the leading I began over twenty years ago. I am actually doing what Spirit asked of me! And that is a blessing.

Day 1, at a weekly meeting I attend sometimes, I listened to my community’s immigration-rights activists lament the Supreme Court’s recent, heartbreaking decision on “Public Charge.” And felt myself do what I always do: wall myself off from the pain around the table. Protect myself. “This is the life you are living,” I silently coached myself. “This is that damned Chinese curse, ‘May you live in interesting times.’ For whatever reason, you were born to experience this, now. You are alive to experience this. All of it.”

I am hyperaware that were I daily experiencing non-stop pain and trauma it’s entirely possible I’d be telling a different story. I am hyperaware of my cushy, privileged life. I am hyperaware that my race and class and resultant medical care is why I get to do this soul-work/grief work; why I’m still alive at my age. I am hyperaware that were I a Woman of Color I might not be alive to tell this story.

But, Friends, I am and I can and here’s what happened: I briefly experienced that exhilaration Ray Bradbury’s short story, “Dandelion Wine” so wonderfully captured: “I am alive!” And so, openhearted, was also gifted to hear how my community plans to address this latest assault on our neighbors and friends, an ironically and unexpectedly touching outcome of living in this interesting time: I now know so much more fully how many other people are also working on social-justice issues. Oh.

Does the harsh fact that over the past year my Quaker meeting/my “village”/ my tribe has lost eight people, two of whom I counted as dear friends, focus attention on that word alive?

Yes, it does.

 

Butter-knifing

Here I am, once again, “circling Fort Knox with a butter knife trying to figure out how to get in.”* I know I want to write about loss, about sorrow, and about how, for most of my life, I’ve let anger mask sadness. I want to write about the grief of climate change. I want to write about my mother’s family, its secrets, its tragedies; about transgenerational trauma. I want to write about my moment-to-moment grief and horror to be white and affluent at a time when the ravages of income disparity and systemic racism and growing fascism are more and more real, obvious.

Yikes.

Meanwhile, as I circle, sadness, grief, loss happen. Terrifying headlines reporting another environmental disaster happen. Someone pisses me off happens—and I, self-conscious “apprentice” that I am, try to access the sadness underlying my anger. (And it’s not as hard as I thought.) Meanwhile, I feel all the heartbreaking Feels that I get to do this work at the same time the People Of Color all around me struggle. Meanwhile, I buy myself a copy of The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief  by Francis Weller so I can physically interact with his every word, every paragraph, write in the margins.

Here’s a bit I’ve already starred and underlined and <3-ed (heart-ed):

An apprenticeship with sorrow requires a hands-on encounter in which we are invited to work with the materials of grief, its leaden weight, and the particular demands of melancholy. We can feel it already, just in these few sentences, that this apprenticeship leads us below ground, into the hallway of shadows and forgotten ancestors. Here we find the scattered shards of unattended grief, the pieces of unwept loss, and the shavings of old wounds swept into the corner.

Meanwhile, like someone in recovery, I’m making amends.

 

  • Ann Patchett said this—at a writers’ conference I’d attended—about trying to figure out how to begin a novel.

It’s Complicated

Back in the day when I taught homeless women in greater Boston shelters, one of my students, young and lovely, suddenly looked up from whatever she was working on* to say, “You know something? It’s not that we don’t know because we’re stupid. It’s that we just don’t know!”

Yup.

Here are some things we know:

No one is all one thing. No one is defined by the worst or best thing they did.

We’ve all been broken/hurt people hurt people.

Sometimes, by design, we don’t know things because we’re not supposed to. For example, what happens behind prison walls.

Often, after we die, because many believe “we don’t speak ill of the dead,” only the best parts of ourselves are shared at our funerals and printed in our obituaries; found in the letters we’ve left behind—and edited**.

Here are some things we don’t know:

Anyone else’s whole story.

Our own.

Here’s what I struggle with:

How to acknowledge and even accept the worst parts of myself.

 

*Three things she might have been working on that morning, as six or seven of us sat together around a battered oak table in a Baptist-church-now-family-shelter Sunday school classroom, weak winter light coming through a stained-glass window:

How to convert a fraction to a decimal to a percent. And back again.

Her journal—in which, very likely, she wrote page after tear-stained page about her childhood sexual abuse.

What “executive,” legislative,” and “judicial” mean (There was always a three-branches-of government question on the GED).

**True Confession: Going through my father’s letters after he died, I tossed several hateful letters into the recycle bin. Because I didn’t want him remembered that way, I destroyed a painful but truthful piece of history.

Muscle Memory

 

One Sunday morning every December, my Quaker meeting shortens its morning worship to put on a fifteen-minute Christmas pageant. Directed and performed by the children of our community, some First Day School students chose speaking parts, others opt to dress up as angels or sheep or shepherds or to perform in our once-a-year orchestra. Rightfully, every year the star of the show is a live baby, traditionally the most recent arrival to our community. (The rest of the Holy Family varies. Three years ago, the baby’s single mother was “Mary”; “Joseph” was played by a stalwart, beloved member of our community.)

This past Sunday as the hundred or so of us in the meetinghouse transitioned from silent worshippers to live theater-goers and the pageant’s young, excited actors bunched together in the meetinghouse foyer to wait for their cue, the meetinghouse door opened and “Joseph,” father of this year’s “Baby Jesus,” approached me as I sat, close to where the pageant would be performed . “Here,” he said, handing me his son. “Why don’t you hold him until things get settled.” Then turned to quickly rejoin his fellow actors in the foyer.

What Christmas story am I suddenly performing, I wondered as I held up my arms to receive this exalted child? Am I Elizabeth, John the Baptist’s mother? Mary’s mother, Saint Anne? No, my arms told me. You are playing the role of another ancient tale. You are Old Woman, The Crone, a mother and grandmother. Your crepey arms once held your own children and grandchildren. Your muscles remember how to hold a newborn. Just as you now sometimes remember so much of the wisdom imparted to you—by Life, by Spirit, by other wise souls. And why you were entrusted with this great honor.

Rejoice!

 

 

Yes, Ma’am

[Everyone you meet is fighting a battle you know nothing about. Be kind.]

Take it from me, someone who’d stumbled around post-cataract surgery until I got my new glasses, I am now exquisitely aware of how we’re inundated with written stuff! It’s everywhere. It’s a given. (And when you can’t actually read it, it’s a pain in the neck!)

But when I saw this fancy-font sign in my health plan’s Mammography Department—well, like you, perhaps, I had one of those instant understandings of where the woman—someone working in that a department, right?—who’d posted that sign was coming from. Because she’s witnessed those battles. From the other side of that department’s reception desk window.  She knew. Knows.

And she’s watched us, too, the Lucky Ones. Who blithely stroll in and out once a year. Who may be more sensitive, more patient with, more compassionate about the trials and tribulations of others while we wait to be given the All Clear. But once we’ve received the good news —Phew!—we immediately forget our There But For The Grace of God moment. We forget how inordinately beautiful life seemed while we waited.

We move on. We forget to be kind.

Sign Poster’s knows all about that, too.

Maybe we should pay attention to what she has to say?

 

Time-Sensitive

A coal barge slowly cruises up the Ohio River; it passes the Jeffboat Company, now shut down, where the rust-colored barge that coal’s resting on had probably been built. And I, sitting at a cafe across the river sipping an iced chai, can totally relate!

Let’s break that down: Like the Ohio flowing towards the Mississippi, like my own mortality, such deeply-moving inevitability informs that moment. Undeniably that coal keeps rolling along—as do I—yet, just as undeniable, coal’s on its way out. For there sits that shuttered, still, silent factory.  With no more orders coming in it’s “the end of an era,” someone noted. (And way-too-long-time coming, right?)

So, yeah, too many close friends gone or struggling, I’m humming “September Song” much more these days. But, like coal’s demise, there’s great openings, as in Spirit-infused possibilities or insights, in this time-sensitivity. I’m grateful; I’m especially grateful for the young people I know (You know who you are) and the Greta Thunbergs, the Emma Gonzalezes, the Malala Yousafzaies of this emergent era.

“Few precious days,” indeed!