“Hot Enough For Ya?”

Due to some fortuitous timing this week, a writing assignment arrived as if a prayed-for thunderstorm on a torrid summer day. What a gift! A new friend, Tom, drawn to the intersection of theater and truth-telling and brevity, encouraged me to write a five-minute play about climate change. (Tom’s helping to organize such a national festival.) So the same week when it’s this part of the world’s turn to endure a terrifying heat wave, I’ve been given the opportunity to write “Hot Enough For Ya?” (Believe it or not, this stringent attempt at truth-telling may be less than five minutes. Don’t blink!)

But here’s the thing: What most excites me is this: that generous gift. I was trying to explain why I’d felt so moved by this serendipity to a group of friends last night. “It was like the Universe was being kind, or my Muse showed up, or it was kind of like grace or . . . ” my voice trailed off.

A dear friend—whose childhood had been vastly different from mine—offered another version. “‘Krisha‘s mercy,’ it’s sometimes called.”

I love that!

 

Palabra means Word

On Mardi Gras, sensing I might find what I sought in a space unlike my unadorned meetinghouse, I attended evening mass at Saint Anthony’s, the Catholic church nearest my home.  On my five minutes walk in a soft rain, I imagined the smell of beeswax candles, incense, chipped and faded statuary dimly seen, I imagined the priest’s and congregants’ words in Spanish, a language I do not speak, washing over me as if a steady stream. I imagined myself lighting a couple of candles and then to be left alone.

My first surprise—of many—was to find myself in the church’s basement; brightly-lit, its walls and brick archways framing the alter painted a bright, sunflower yellow, its pristine statuary equally glowing as if lit from within.

My second: In front of a statue of Our Lady of Guadalupe, I found rows of red plastic candles with a metal slot in front of each one. I tried inserting a quarter into one slot. It worked! So I did that again with a second candle. And tempered my disappointment with my first opening: this is how millions of people all over the world light candles before holding someone in the Light. I can, too.

Third surprise: I was not to be ignored. At certain moments the other worshipers would turn around, smile, extend their hands in my direction. Such lovingkindness made me teary; warmed me. Though we speak different languages, though our hands did not touch, as in namaste, something of Spirit within them connected with something of Spirit within me.

Last surprise I’ll note: The priest’s words or song lyrics sung to guitar accompaniment were not a steady, unintelligible stream. Certain words or phases asserted themselves. When the priest began The Lord’s Prayer, for example, from the rhythm and repetition of certain words I knew what he was saying. And heard that prayer with different ears. Repeated palabras made me wonder if maybe he was reading John 1 through 5?

But did it matter if I was right or wrong? No. I exercised new heart muscles and although my soul heard Good News in Spanish, it understood.

 

Thank you, Comet ​​C/2022 E3 (ZTF)

[“You are Star Stuff” by Betsy Roper]

Like many aging people, I sometimes struggle with insomnia. Anxious, depressed, fearful; it’s dark night of the soul time for sure. Over time, however, I’ve gleaned how to manage these gnarly sessions. Somewhat.
Lesson Number One: Never ask myself why I might be anxious. Because there’s always something to be anxious about, right? But if I choose to give this free-floating feeling a place to land, whatever situation or challenge I mentally name will not just land—it will colonize. And there goes any hope for sleep. No, better to give my gnawing brain something to chew on besides, say, a bumpy conversation with a dear friend that day, and maybe what I should have said was . . .
Once upon a time, repeating the lovingkindness prayer over and over on behalf of family and friends  had worked like a charm. “May X be/feel safe. May X be happy. May X be healthy. May X live with ease,” I’d whispered over and over. My heart rate slowed and, enveloped in love, I’d fall back to sleep. Sadly, though, like a medication that over time loses its oomph, this practice is losing its efficacy. (Not that I’ll cease to send out lovingkindness into the universe. I have merely stopped expecting a different outcome.)
But recently I began to wonder if, like the lovingkindness prayer, focusing on something love-based might work. What if, during those tossing, turning moments, I considered my “All my relations”? And the “peace of wild things“? What if I reviewed the previous day to recall moments of wonder, moments of connection with something not anthropocentric, moments when I felt a part of the Whole and aligned with All?
Great idea, right? Two small problems, though. I live in a city. And it’s February!
But even in February, even in over-developed Somerville, such moments are possible. The five or six goldfinches who daily alight in the top branches of the tree across the street so easily visible as I write in my journal; how they glow in early morning sun! Or how the scraggly, messy, strangely beautiful native-plant garden bordering a park near my house warmed me on my cold, brisk walk. Or how . . .

Early days into this new practice, on Wednesday and Thursday,  the nighttime sky provided such wonder; the passing of Comet ​​C/2022 E3 (ZTF). Let me be clear: I experienced that wondrous, last-time-this-passing-happened-was-50,000-years-ago comet. I didn’t actually see it.

No: I mindfulness-nessed it. I stood in my back yard, faced north, and, like sending off the lovingkindness prayer into the universe, I sent off my awe, my gratitude, my alignment with Wholeness in that green-tinted comet’s general direction—before scurrying inside to get warm.

And slept well. Both nights.

 

Why I Choked Up—Maybe

Yesterday, Martin Luther King Day +1, like many greater Bostonians, I made the pilgrimage to downtown’s Boston Common to view the just- installed “The Embrace” sculpture. I was prepared to love this celebration of the moment when Dr. King and his wife Coretta learn he’s received the Nobel Peace Prize. And I did. I was not prepared to choke up.
The backstory to my tears: Because Monday’s snow and ice kept me from attending the sculpture’s installation, I’d read up on its backstory. To discover that its location commemorates a significant moment in Boston’s checkered civil rights history: when Dr. King spoke on Boston Common on April 23, 1965.
A senior at Wheelock College, I was there. But not to hear Dr. King!
May the story I’m about to tell illustrate more than my tiny little piece of American history: As readers of Way Opens know, in April of 1965, like most White Americans, my understanding of racism and our nation’s history was woefully ignorant. But when, the month before, Reverend James Reeb, a White Unitarian-Universalist minister, had been murdered in Selma, Alabama? That got my attention.
Here’s the point I want to make: Up until that cold and overcast April day nearly sixty years ago, I paid little attention to the civil rights movement. Vaguely aware of sit-ins, the Freedom Riders, that Dr. King visited Lynchburg, Virginia in 1962 where I was a senior in a just-desegregated high school, it took the murder of a member of my own denomination to finally break through my indifference.
BTW: Reeb’s name is inscribed on the plaza surrounding “The Embrace” alongside other Boston civil rights heroes—including Dr. Virgil Wood, still alive, I believe, whose picture graces the cover of Way Opens. Another story.
So I cried for that young, very young twenty-year old. And for of us who cannot recognize injustice nor show up at a march or demonstration or rally unless its cause relates to our own experience.
I’ll end with this: Resident of a metropolitan region infamously famous for its racism, for me that massive sculpture roused—what? grateful tears too?
I think so.

Comin’ Around Again

When I was young I was very young. And the world I grew up in was a younger world, a world that told me, “When you grow up, you can be a secretary, a nurse, or a teacher.” So for many reasons that seemed relevant in those long-ago times, I chose teaching. Given that those times’ imposed limitations meant that my “choice” wasn’t much of a choice, turns out I am a pretty good teacher! Turns out, interacting with children gives me enormous joy! Turns out, I got lucky.

Over the years my teaching career swerved from teaching elementary school-aged children, as I’d been trained to do in college, to teaching deaf teenagers, to, for almost 20 years, working with adult learners in housing projects, homeless shelters, and at an adult learning center. But when my first book was published in 1998, I declared myself a writer—and never looked back.

Until now. A grandmother, I am once again teaching small children at my Quaker meeting. I’m again writing lesson plans. I’m again buying art supplies. I’m again talking with parents about their children’s needs. I’m again being schooled by insightful and loving co-teachers. And scraping play-doh off a rug. (Oops.)

And while sometimes this gig feels very automatic—”You know, we’ve heard some wonderful ideas from you. Let’s see if someone else has some good ideas, okay?”—something feels absolutely new.

This choice is so, so different, isn’t it! So realized. So informed. So much about joyously reclaiming a part of myself that, yes, I’d only dimly understood over sixty years ago (GASP) when I’d chosen Teacher. So whole.

 

To Have and To Hold

When I was maybe three or four, one of my favorite “toys” had been my mother’s button box. (What was that box’s backstory? Was it made of sturdy cardboard or metal? Had it once held candy or tea? Had it been a biscuit tin? I don’t remember.) I’d loved the susurration those hundred of buttons made when I slowly trawled the box’s contents with my hand.  I’d loved the randomness; the not-knowing what I’d discover in my hand when I extracted one or two buttons. Would I hold a large, plastic, Art-Deco button from a thirties-era jacket?A tiny, opalescent mother-0f-pearl memento of my babyhood? If I dipped again, would I perhaps find a duplicate to my first haul? What I’d loved most, though, was to treasure whatever I held.

Sunday night, my sister’s vast collection of earrings, necklaces, bracelets, brooches, pendants, and rings covering my living room coffee table, I was reminded of those individualized and reverent moments. Randomly picking up an exquisite ring or a necklace, I held my fierce and brilliant sister Deborah, who died from pancreatic cancer on June 7th. With tenderness and care her grieving ex-husband and son have been slowly dispensing her things; Sunday night, thanks to my daughter’s cell phone’s texting capabilities, our extended family had the opportunity to pick and choose a piece of Deborah’s jewelry.

Because my sister had already specified she’d wanted me to have her silver charm bracelet, my brother-in-law handed it to me beforehand. What I slowly realized as I picked up and admired Deborah’s collection, one by one, was that her laden, tinkling keepsake would be enough. (Although I did chose a couple of pieces I plan to pass along to two dear friends who have held me as I grieve.) Like admiring my mother’s button box collection, I loved, loved, loved cherishing Deborah’s jewelry. And that charm bracelet is enough.

This understanding may have been made more clear for me, I think, because of my recent visit to the Isabella Stewart Gardner Museum. Over the past fifty years I have visited “Mrs. Jack’s” hodgepodge collection many times; this most recent visit stirred up some concern: What happens to someone’s soul when she owns so much cheek-by-jowl, impossible-to-keep-track-of beauty? How could Isabella Stewart Gardner possibly love the thousands of things she’d collected? At some point, had she become inured to her breathtaking possessions? Become deadened to such overwhelming splendor? After the crowds went home, had she ever strolled through her higglety-pigglety gallery rooms and randomly picked up something small and exquisite? Had she held it? Loved it?

I hope so.

 

 

 

“Just Roll With It”

[Turner’s unfinished “Venice with the Salute”*]

Yesterday, in the collective silence of a Quaker meeting, I waited for whatever was to come to come. And was given: “You’re sad, sweetheart. Just roll with it.”

At first, feeling that acknowledged sadness weight my body, this somber, right-on message seemed enough. Full Stop. The End. But as I literally sat with that weight, sadness became A Thing, an opening, a possibility, a tool, a medium. “My palette,” I decided.  Something to work with.

So I will. I am.

 

*”Venice with the Salute, about 1840-45 (Oil on canvas)

The monumental Baroque church of the Salute, with its great dome,

dominates the entrance to Venice’s Grand Canal. Turner probably 

focused on this landmark in hopes of finding a buyer. 

He left the work unfinished, however, barely defining the buildings

on either side; water, land, and sky merge. The extraordinary,

shimmering forms evoke the paradox of dense fog on a sunny day.

[Explanatory notes, Boston’s Museum of Fine Arts, May 2022]

“Intensified Sky”

[Bird at the edge of the Grand Canyon}

I am currently going through an intense passage; Rilke’s poem speaks to me:

Ah, not to be cut off

Ah, not to be cut off,
not through the slightest partition
shut out from the law of the stars.
The inner—what is it?
if not intensified sky,
hurled through with birds and deep
with the winds of homecoming.

— Rainer Maria Rilke

 

“Love It All”

F. Scott Fitzgerald once wrote: “The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function.”

Exactly. Here’s what I am (barely functionally) struggling with: For those of us who wish to honor Lent, how can we both acknowledge this season of impending death and celebrate its fecundity, its sweetness, its abundance? How do we better celebrate Lent’s spring-ness? What ritual could better embrace this Lenten paradox? Because giving up chocolate for forty days doesn’t cut it for me any more. Nor had receiving pussy willows on Palm Sunday when I went to a Unitarian Sunday school. Nope.

In her remarkable memoir, Lost & Found: A Memoir,
Kathryn Schulz struggles with this, too. Still missing her beloved father, she marries the love of her life. And throughout her remarkable, seamless wedding day (well, okay, there had been a tornado warning), she was exquisitely aware of how she was experiencing both incredible grief and unadulterated joy. (Schulz has lots to say about and/&) 

How do we hold two disparate ideas—and then get up the next morning to do it all over again? An answer came to me recently walking past a neighborhood grocery store which did not survive the shutdown. While grieving its loss, a “small, still voice” counseled: “Love it all.”

Sounds like a plan.

Through the Ether

My father were be astonished. Self-labeled “a merchant of death,”during the Cold War my definitely-analog dad sold General Electric-manufactured heavy military equipment to the government. Gigantic and metal and painted battleship-grey; such armaments were how the USA would win this war, Dad believed—who’d died decades before Twitter and Tik Tok and Spotify et al. How mystified my father would be to learn how weightless, colorless, relatively inexpensive, and transmitted-through-a-network-he’d-never-comprehended* misinformation can be and is destructive, disruptive, even deadly!

Who’s winning this Cold War 2.0 which weaponizes instability and fear and distrust? My sense is they are. But how would I know?!

I do know this: I believe in another weightless and colorless and mysteriously transmitted network. When this network broadcasts it’s called prayer. When we open ourselves to Spirit; i.e. when we click on our “radio” to signal to ourselves and to the Universe that we’re listening, something grounding happens. We’re hearing Truth.

 

*After World War II but before the Cold War, Dad sold GE radio and television equipment to stations throughout the northeast. Radio waves—aka microwaves—he’d understood!

 

 

 

Creation Story 2.0

[Fresh water tank, Great Lakes Aquarium, Duluth, MN, July, 2021]

On a recent visit to Duluth and unable to visit the delightful Tweed Museum of Art, shut down for renovations, I discovered Duluth’s American Indian Community Housing Organization (AICHO). Closed because of COVID, AICHO’s website offered what I was hungry to see: an online gallery of art created by Indigenous people of the Great Lakes. (At a previous visit, I’d become a huge fan of Rabbet before Horses Strickland.)

And lo, what did I discover? Another version of the “Skywoman” creation story which begins Robin Wall Kimmerer’s Braiding Sweetgrass—a retelling which speaks to me. For in Karen Savage Blue‘s lyrical depiction, Skywoman reaches down; down into icy, creature-rich waters. Skywoman rescues Muskrat! Don’t you love it?

I do. So much so that I am now in the process of buying a giclee of Savage Blue’s watery, female-superstar, Love-infused depiction. (In deference to AICHO, I am not reproducing “Creation Story” here because I do not have permission to do so.)

I love that a creation story can shift. Change. Evolve. I love being reminded that creation continues. That our universe is a work-in-progress. And so are we. I love being reminded that “inbreaking” happens: “If, as I believe, the soul has its root in God, it should not be strange or amazing that fresh installments of life break in from beyond us and refresh us,” the Quaker mystic, Rufus Jones, tell us. And, yes, I’ll admit it: I love how Savage Blue has turned Michaelangelo’s “The Creation of Adam” upside down and sideways!

 

 

Circles Happen

[I have been single-mindedly working on a book manuscript, Strands, to be published by Barclay Press next year, so have woefully neglected this blog. Here’s an excerpt I just finished—maybe?]

Almost every Wednesday night for the past thirteen years, Friends Meeting at Cambridge has hosted a meal and a sharing circle for “the formerly incarcerated and those who care about them.”* Our circle the outgrowth of another sharing circle begun years ago in Boston’s Jamaica Plain neighborhood, our circle has replicated the JP circle’s thoughtful rituals. We, too, eat dinner together first, our shared meal in the commodious Friends Room—a gourmet meal lovingly and bounteously prepared by my husband. (Cooking is his ministry; he also helps to prepare FMC’s Sunday lunch.) After cleanup, we, too, set up chairs around a cluster of flickering candles but, because our sage-cleansing ceremony has set off FMC’s smoke detectors once too often, summoning an embarrassing convoy of Cambridge Fire Department equipment to Longfellow Park, rain or shine or freezing temperatures, we troupe outside to ritually cleanse ourselves. The lights turned off in the Friends Room, we sit in a circle around the flickering candles. We review the circle’s guidelines and values. An ornately-carved walking stick is passed clock-wise; only the person holding the talking piece may speak. Like the JP circle, our time together ends with the Serenity Prayer.

These days, Zoom offers another, pared down, and far-less-satisfying version: no meal, no sage, no physical circle, no candles, no talking piece, no closeness or breathing in harmony with one another, and when we say the Serenity Prayer? It’s pretty raggedy. Sadly, several central members of our circle have decided they “don’t do Zoom” and have opted out.

Like so many mixed outcomes because of this pandemic, not being able to perform the sage ceremony has been both a loss yet an unplanned but welcomed opportunity to reflect on this sometimes-questioned ritual. Over the years, some have rightly pointed out that this practice comes from a Native tradition—and is therefore an appropriation. I respect that. Other circle members do, too.

When we can all safely meet again in person, however, I will share a recent opening which has allowed me to consider this aromatic ritual in a new but still flickering light.

The backstory to this opening: Inspired by a wonderful poem by Judith Offer, “On Studying Sacred Texts,” during Covid Summer at our pre-meeting for worship forums, various members of the FMC community took turns reflecting on various writings, like Martin Luther King, Jr.’s “Letter from Birmingham Jail” or Arundhati Roy’s “The Pandemic is a Portal.

One sacred text we studied, “Skywoman Falling,” comes from the oral tradition. Although this creation story from the Shenandoah and George people begins Robin Wall Kimmerer’s seminal book, Braiding Sweetgrass, “Skywoman Falling” is a story shared, told, passed down from generation to generation, as people sat around a fire. Like, ah, a sharing circle?

Had the JP sharing-circle originator, Father Brian Murdock, understood humans’ shared circle history? Had he and others intuitively replicated rituals our ancestors had performed? Had he remembered that all humans once sat around fires? When we’d first visited the JP circle, for example, we Quakers were told that prison lighting so harsh and obtrusive, returning citizens would relish a sharing circle’s dim, gentle, soothing lighting. But don’t all of us, returning citizens or not, prompted by the lingering smell of burning sage and the flickering candles in the middle of a circle, remember when we’d sat around a fire and told the stories of our village or shared our own truths? Given how dangerous making eye contact had been behind bars, the JP organizers had also explained that each person ritualistically make eye contact before speaking to be a necessary trust-building exercise. But when we deeply look into another eyes aren’t we, in fact, reinforcing what a nomadic community 0r a village or an extended family does? We see each another. Literally. We value, we honor each person. We acknowledge our shared space. Like the signs in my neighbors’ windows these days, we affirm, “We’re all in this together.”

After hearing how the “Skywoman Falling” story resonated with our forum speaker, I was moved to ask that “circle” of Zoom tiles, “Who are you in this story?” And, like our speaker, several people shared wonderfully open and honest answers.

My answer would have been, “I am the old woman, the crone, seated near the fire to warm her old bones. I am the one telling this story. Again. Like my grandmother, I embellish here and there, add a little something someone in the circle may need to hear that night. My voice rises and falls but when I talk about Muskrat, it becomes husky with love and gratitude.”

*from the circle’s flyer