How It Ends

After listening to WellingUp.net’s podcasts, my daughter questioned an important, fundamental decision: “Why did you begin the story with Rocco’s death,” she wondered. “Wouldn’t it be better to tell the story chronologically?”

“No,” I answered. “I don’t think so.” And recalled a Dr. Martin Luther King, Jr. biography I’d read that begins with King’s assassination. “I felt like the book was way more powerful because I’d been reminded from the git-go that this wonderful man would be murdered, ” I told her. “And besides,” I continued. “This story is another version of the Jesus and Mary Magdalene story. And what do most people seem to remember about Jesus? How he died!”

I’ve been thinking about that conversation this past week as I read over my 2018 journals, a sobering, humbling end of the year/beginning of the year ritual I’ve performed for a few years, now. What? I did that stupid thing again? And again? And . . . Jeez! Every mention of my mother, who died in October of 2018, leaps off the page. Every conversation. Every health concern. Every interaction with a staff person at her long-term care facility. It’s all so precious.

So many excerpts I could share but here are few moments I’m so glad I recorded:

May 24, 2018 . . . Had a wonderful moment with Mom when she talked about dying and how it won’t be hard because she’s had such a wonderful life—and I told her how lovely it is that she told me that because her leaving will be less painful, knowing that. A sweet, lovely, who-would-have-predicted moment . . .

May 26, 2018 . . . Took Mom down to Black’s Nook where pond life is beginning to thrive. Water lilies, a frog, lots of birds—but no heron or geese—and Mom was pretty lively, herself. Reached over to touch a young man’s arm so she could look at his tattoo more easily. I teased her about touching strange men and she said,”If he’s brave enough to have tattoos he should be able to deal.” Or words to that effect . . . .

June 16, 2018 . . . Mom had lots to say about “A’s” [another resident she’d disliked] sudden death. Guilt, maybeWe talked a little about how, maybe A really was in a better place, not heaven, necessarily, but not in pain or angry or frustrated any more. A talk I again appreciated having with my mother. 

Oh, yes!

Tea For Two Or More?

May I be a boring old woman who talks about her health? 

Thank you.

Because what I’d like to say just might be helpful to you:

Like many people my age, my cholesterol’s not been great and, like many people my age, I’ve been told by both my primary care provider and my cardiologist I should go on statins. But I’ve resisted. Mostly because I’ve heard many things about statins’ nasty side effects—muscle cramps being the one I’d feared the most—and would prefer to not wonder, with every other ache or pain, “Is this the statins? Or something else?”

But a dear friend’s stroke this past summer forced me to look at my own mortality more honestly—so I succumbed. And started taking this new medication in late September. The day before the Kavanaugh hearing. And during that hearing, had a violent, horrific reaction!

Was this the statins? Or my body’s revulsion at what I was watching unfold in a United States Senate chamber? I guessed both —but mostly the meds. So stopped taking them.

Here’s where my story gets weird. Because at this same time I was also reading The Tea Girl of Hummingbird Lane, a novel about China, mothers and daughters, and puerh tea. Towards the end of the book, one character references Alice Waters (a household god around here); Waters states that by drinking puerh tea, she cut her cholesterol in half! Hello!

So I made a deal with my cardiologist. For two months I would drink a mug of this tea, a tea which quietly invites me to sit, to ponder, contemplate, savor with others, every day. And then I’d have my cholesterol tested. 

Dear reader: It’s working! In two months my cholesterol has lowered enough so that it is not longer flagged as a health concern. 

You’re welcome.

Muscle Memory

[Patsy Cline’s salt and pepper collection, Patsy Cline Museum, Nashville, Tennessee]

A wonderful surprise happened in 2018: I made two new, wonderful friends, both in their seventies, too. Over tea last week with one, a fellow peace activist and feminist, we discovered that although we’d grown up in very different parts of the country, our families’ respective religions differed, and she’d grown up with more siblings than I, in one respect, her parents and mine were exactly the same. She and I, who’d both grown up in the fifties and early sixties, had both taken piano lessons. And ballroom dancing!

We snickered. And agreed that learning how to waltz or foxtrot was not something young people ascribed to anymore. She quoted that famous line: “Ginger Rogers did everything Fred Astaire did—only backwards and in high heels.” And I shared a story from my thirties, when my then-husband and I—probably chemically enhanced, shall we say?—had crashed a big, fancy, neighborhood party one summer night, a party held in a tent and with a live band. Boldly I’d invited a neighbor I really, really admired to dance with me. Kind of shy, not a dancer, he’d hesitated: “Don’t worry, darlin’,” I’d assured him. “I’ll make you look good.” And I did. Because from my ballroom-dance classes, I knew how to balance my weight on the balls of my feet; how to lightly rest my left hand on my partner’s shoulder in order to sense whatever direction he would go, and in a split-second, feet poised to respond, to accommodate that movement—wherever!

What a dated, horrifying story! But it begs me to wonder: Do I still do that? Do I still, in ways I don’t even realize because it’s just what I was trained to do, do I still wait, poised to move in response to someone else? Do I accommodate? Dedicate myself to making someone else look good?

Hmmm.

 

 

One Small Thing

El Salvadoran mural featuring Monsenor Oscar Romero by Allison McKeller, December 7, 2007

I am delighted to report that the Friends Journal will publish my “Sweet Baby Jesus” on December 1st!

And that of the four choices I’d offered for the article’s accompanying illustration, they chose this mural! My favorite. Yes, it depicts sweet baby Jesus. (I love that his swaddling clothes are green. As in verdant, growing, life-giving.) And offers a visual tribute to liberation theology, referenced in my piece.

But to look at this mural, the same week asylum-seekers were tear-gassed at our border, is to be again reminded of Oscar Romero’s murder. We remember the upheavals and horrors of Central America—and our country’s role in those upheavals and horrors. We remember why people seek asylum. We remember.

 

My Public Charge Letter (First Draft)

[Information re Public Charge]

To: Samantha Deshommes, Office of Policy and Strategy, U.S. Citizenship and Immigration Services, Department of Homeland Security, 20 Massachusetts Avenue NW, Washington, D C 20529-29140

[Link to submit comments online]

Re: DHS Docket No. USCIS-2010-0012

I am writing to express my opposition to this proposed rule change.

[Okay, fine. That’s the standard stuff. But what should I say? “Write from your place of strength,” an immigration advocate coached a group of us letter-writers recently.

What’s mine? Do I note that because of the fear these proposed changes are causing, providers of greater-Boston health care services note a 5 to 10% drop in people coming to their clinics? So, for example, people aren’t getting flu shots? And how that makes me very nervous to get on public transportation or shop at my neighborhood supermarket? Or how I am fearful how these changes, designed to instill fear and insecurity,  will adversely effect the wonderful, upbeat people, most of them from other countries, who work at my mother’s long-term care facility?

Absolutely not! Public Charge isn’t about white, privileged me or my white, privileged family! It’s about the Trump Administration rewriting Emma Lazarus‘s poem to read, “We only want you if you’re young, healthy, wealthy, and speak English.”

No, my place of strength is the same place as so many of those who these proposed changes would exclude: I am a grandmother. I know how my family needs me. I know how my family relies on me. I know how the stories I tell my grandchildren, my “These are some of the men and women who came before you; here’s what they thought was important” narratives anchor my family. I know how grandparents’ (free) childcare makes it possible for both parents to work. Grandparents cast a long shadow in ways I can speak to. Grandparents make this country work in ways few understand or acknowledge.

But I better get to work. These letters, which can be as short as 250 words, are due by December 10, 2018.]

Can We Hold All Of It?

Fort Rosecrans National Cemetery, San Diego, CA; November, 2015

Can we hold all of it? Can we both honor the war dead and wonder why, dear God, are we still engaged in endless war? Can we both use words like sacrifice and courage and service with conviction and sincerity and compassion while asking ourselves, are there other words I could be saying, too? Illuminating words? Game-changing words? Words that come from a deep and wise and loving place? Can we both grieve and resent that we are?

I’m trying to. And have come to realize that since the death of my mother a month ago, I’ve been practicing this spiritual balancing act. Because, yes, I mourn, yes, I miss her every day, yes, I’m sad, yes, I am grateful for all she imparted; how she’d modeled so many ways to be a strong, fulfilled woman. (Just writing fulfilled, a word she used all the time, makes me smile.) And yes, my relationship with Pat Wild was—and is— the most rich and complicated and challenging relationship I will ever have! So, yes, I am learning to hold all of it. Slowly. And sometimes failing, falling.

Meanwhile: The world just noted the one-hundredth anniversary of the end of “The Great War.” (aka “The War To End All Wars.”) Meanwhile: Veterans for Peace just reclaimed Armistice Day. Meanwhile, my mother’s unambiguous, clear, firm, posthumous message to me: be grateful.