Sometimes I visit an art museum as if expecting to be tested. I study everything, read everything, skip nothing, dutifully walk in the direction the exhibit designers want me to go. Other times I randomly stroll through galleries until a color, a shape, a face demands my attention. Super Bowl Sunday afternoon at Harvard’s Fogg Museum, this face stopped me cold.
There’s a touching story behind that mournful face: Barlach, a German nationalist, created an earlier version of this sculpture from clay and plaster in 1914 as The War To End All Wars (ha!) raged. “As the fighting dragged on and disillusionment increased, however, Barlach envisioned war less as a noble sword-bearer and more as, in his words, ‘a hammer wielding butcher.'”* Years later he carved that same figure, this time from wood, recreating that avenger’s face to reflect his disillusionment, then cast the 2.0 version in bronze.
Quakers talk about “continuing revelation;” how Truth might be cast in stone but/and can also reveal itself in new forms, new ideas, new media.
Spirit’s not done with us yet.
*from the museum’s wall description