[Harvard Square Post, 2016]
“Words, words, words, I’m so sick of words,” wails Eliza Doolittle. Me, too, sometimes. For no matter how well-chosen or apt, sometimes words are merely background noise while whatever truth welling up within us finds language to make itself understood.
Saturday night, for example, was the “staged reading” of a play I’m working on, i.e. a performance solely dependent on the words the actors read aloud. No sets, no costumes, no bits o’ business, no lighting; no stagecraft! Just words. Lots of them. As four actors holding three-ring binders sat in front of my Quaker meeting’s meetinghouse.
At intermission —or “halftime” as my husband says—a member of the audience came up to me. “I think this is a play about how we know things,” he said. (You could almost hear the capital K as he pronounced “know”) “That’s something I’ve been thinking about, lately.”
And, yes, my play did offer several examples of just what he was talking about. But, clearly, he’d heard an echo of a question he’d brought through the meetinghouse door that night. A profound question—and alive for him right now. So he heard what he heard.
How do we listen in tongues? How do we hear beyond/beneath/(in spite of) what we know? That’s the question alive for me right now.