God/Spirit/Light/Love – Patricia Wild

“A Conscious Stillness”

The closest I came to losing myself to the beauty and majesty of the natural world when a child were the pre-teen years in Fayetteville, New York when I spent fantastical moments alone in the woods near my house. I knew that if I walked quietly and carefully, I might come upon a sole, surviving member of the Onondaga tribe, a lone, deerskin-clad brave who, for reasons only understood by my pubescent self, had somehow survived when everyone else from his tribe had either died or had been relocated to an unspecified somewhere. Out West, maybe. At ten, I was fuzzy on the details. And for reasons only understood by him, this sole survivor had chosen to live, resilient and independent, near me! Sensing that brave’s presence, I reverently walked on my tiptoes through the silent woods, carefully avoiding branches or twigs; anything that might snap. I didn’t want to frighten him. I didn’t want him to flee. I’d wanted to come upon him unexpectedly. Like I would do many times in my life, I lost myself in make-believe I half-believed, an early-on form of magical thinking I’d succumb to many times—like in high school, the night before a test, placing my chemistry textbook under my pillow so that valence numbers would, presto chango, transfer to my adolescent brain.

Years later, I’d read Robin Wall Kimmerer’s Braiding Sweetgrass to discover that, indeed, the Onondaga people were still very much alive, and were, in fact actively praying for their precious land—the very land, in Onondaga County, I’d explored at ten. And later yet I was to come across the phrase, “a conscious stillness,” coined by Thoreau, which certainly comes much closer to describing what I’d sensed at ten.

For, indeed, I had not been alone. A conscious stillness surrounded me. Something deep, silent, alive, emergent accompanied me. The same Force which causes mushrooms to spring up overnight was there. Creatures who’d ceased their rustlings and their songs when I walked in their midst quietly waited for me to pass by.

And, perhaps most important of all, now I understand that the prayers of the Onondaga people filled the air.

Thank you, Nathaniel

Last week, while visiting Monteverde, Costa Rica, where its extensive rainforest’s exquisite beauty is accessible and preserved, I had the opportunity to visit its Butterfly Garden. Not actually an outdoor garden but rather a series of buildings and enclosures, each featuring a variety of butterfly species which illustrate a particular feature such as camouflage or mimicry. Our tour began in one such building—where our guide, Nathaniel, an attractive young scientist from Ottawa, held forth on rainforest creatures such as tarantulas and scorpions and cockroaches. (Since each tour was to enter and exit each building en masse, so as to prevent any of these gorgeous creatures from escaping, I think the grand design for his holding-forth was to make sure everyone who planned to join us was actually there.)

As Nathaniel offered detailed and humorous descriptions of the intricate and intriguing mating rituals of various creepy, crawly creatures, I found myself saddened by what’s currently happening to scientific research; the same sort of academic pursuit which, over time, had resulted in his fascinating monologue. And told him so as we began to file out.

“Don’t worry,” he assured me. “There’s lots of us who are passionate about research! It’ll go on.”

Of course! Just as Mother Nature finds the most impressive ways to ensure a myriad of species’ ongoing survival, so will dedicated, knowledge-driven people under the age of fifty pursue their dreams. That’s how they’ll survive! And later that week, in the quiet, held worship at Monteverde’s Friends Meeting, it came to me that such passion is another variety of Love/Light/Spirit/God, isn’t it?

Bend like Insight Bends

Nineteenth-century Unitarian minister, Theodore Parker has been quoted by the likes of Abraham Lincoln and Dr. Martin Luther King, Jr. But without attribution. For it had been Parker, not Lincoln, who’d first said, “A democracy—of all the people, by all the people, for all the people.” And it had been Parker, firebrand abolitionist from West Roxbury, Massachusetts, who’d first stated, “I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice.” Which, a century later, Dr. King would amend to, “The arc of the moral universe is long, but it bends toward justice.”

So, given its history of academic sloppiness, that I’d recently misquoted Parker/King might be forgiven, right? Well, actually: no.

I’d been telling my (adult) daughter about my walk to yoga class. Still grumbling about the recent election, buffeted by rain and a heavy wind, I’d suddenly remembered that Parker/King quote. “And you know what?” I told Allison excitedly. “In that moment? Even though I was pissed and my umbrella kept collapsing, I realized that I do believe that arc moves towards justice. I know it’s crazy, I know it’s taking much much too long, I know we’re in for truly grim times. But I still think that it does!”

” ‘Bend,’ ” Mom,” my daughter corrected me. “It’s ‘bend.’ Not ‘move.’ ” And we’d talked a little about why Parker/King’s verb was more precise than mine. And then we’d marveled at what an unexpected, counter-intuitive, yet incredibly transformational moment I’d had!

Sunday, at my Quaker meeting, why-bend-not-move became even more clear. A speaker, referencing “The Course in Miracles” noted,”A miracle happens when your perception changes.” Later, in silent worship, I reflected on that. And saw, as if an animated line on a chart moving across a screen or a sheet of paper from left to right (But not Left to Right), how a long-held belief might move from left to right but how a shift in perception might bends that line, that long-held belief towards something New. True but a capital T. Different. Something more Spirit-centered, more lovingkindness-imbued.

Justice demands we shift. Consciously shift. To interrupt. Bend better connotes that interruption, doesn’t it.

May collective miracles bring us closer to justice for all the people, by the people.

Lumi means “snow” in Finnish; it also means Light.

I’m not a dog person. Which means quizzical-verging-on-contemptuous looks from the numerous dog owners in my neighborhood as I briskly walk past their adorable fur balls without comment or gushing. (“Sorry. I really don’t mean to offend you. I’m just not into your pet, okay?”) But, serendipitously, the same week an intriguing article on dog tail-wagging came out, which examines the long-term relationship between dogs and humans, a blue-eyed husky named Lumi reminded me that “dog” backwards is “God.”

This spiritual awakening happened like this: I was in New Hampshire visiting dog-owning family and offered the opportunity to try snowshoeing. Which I instantly loved! Although walking on snowshoes is a lot like wearing the heaviest, most mud-caked boots ever, snowshoes allow you to trudge on fresh, deep snow. (Duh.) So silence-lovin’ me immediately saw how eerily quiet and reverent such unsullied walks could be. And if, given global warming, it makes sense to buy me a pair, I’m in. (How do I even figure this out!)

Not that our Saturday trek was all that quiet. Two parents, one granddaughter, two dogs, plus me meant a less than worshipful stroll. Especially when Lumi would suddenly stop to frantically dig some piled-high snowbank. And have to be scolded, again and again, “Leave it!” Huh?

Under all that pristine, glistening snow were woodland creatures—and Lumi could hear them?! That stopped me in my tracks. (Which probably looked like Grammy catching her breath.) It wasn’t just the sudden gestalt when recognizing the symbiosis between ancient humans and dogs unearthing what’s for dinner tonight that earned my slack-jawed awe. I stared at Lumi as if seeing God made manifest: “You heard chipmunks or field mice or . . . under all that snow? What an amazing creature you are!”

And dog-owners get this, right? They get to have moments when their pets remind them: “Actually, creation is not anthropocentric. Humans just assume it is. If we’re incredibly lucky, we humans may be in a long-term relationship with lots of life forms. Dog willing.”

What Am I Called To Do (with asterisks)?:

To listen another’s soul into a condition of disclosure

and discovery may be almost the greatest service

one human being ever performs for another.

Douglas Steere

As my father got more and more frail and his children and grandchildren had begun to take on the major responsibilities at family get-togethers, leaving him with nothing to do, he’d say, “Never mind. I’ll just sit in the corner and drool.” He didn’t drool. But sometimes a younger family member would pull up a chair, sit down beside him, and listen to his stories. Which were wonderful.

As I and the warring, climate-disrupted world we all inhabit get more and more frail, asking the Universe: “What am I called to do?” seems an existential/spiritual question with some asterisks:

* at almost-eighty.

* that doesn’t add to my carbon footprint if I choose to witness/show up/minister.

*that would actually make a difference yet which I, on a fixed-income, can afford.

(You get the idea.)

Lately I have been pondering some ways we potential droolers might be useful in this unimaginably challenging time. Let me count the ways (so far):

Like the wonderful Steere quote, we can listen as others share their grief, their fears, their suffering.

Like my father, we can share own experiences; we can offer a long-view perspective. No, let’s be clear, there has never been a time quite so fraught (my dad’s word) as this. Yet surely our stories contain some nuggets the present generations might appreciate? Dare I say learn from? (Some buy-in’s probably required. Someone willingly chose to sit beside my father. Someone needs to ask us to recount the time when . . ., right?)

We can speak to the non-binary-All because we, too have suffered. We, too, have experienced unmitigated joy. And here we are. Our breath of experience adds more to the spectrum of What Being Conscious Is About, the All of it, its spectacular, wondrous, terrifying, maddening, unlimited array of experiences.

And, finally, this: I have seen what Love can do. Love is thoroughly embedded in that All; Its all-embracing power continually takes my breath away. It feels naive—silly—to write that, now, as wars wage everywhere. Everywhere! Yet over a lifetime, in the midst of conflict, when I remembered to speak or to act from a place of Love, everything shifted. Improved. Softened. This I know at almost-eighty.

Where is Love in Gaza? Where is Love in Ukraine? Yemen? The streets of Haiti, the streets of vandalized San Francisco? That’s impossible to say. What I can say is this: some of us along Elder Path may want to listen to your grief, your rage, your fears. Grateful to be able to experience this “greatest service one human being ever performs for another,” we can hear you with Love.

“Hot Enough For Ya?”

Due to some fortuitous timing this week, a writing assignment arrived as if a prayed-for thunderstorm on a torrid summer day. What a gift! A new friend, Tom, drawn to the intersection of theater and truth-telling and brevity, encouraged me to write a five-minute play about climate change. (Tom’s helping to organize such a national festival.) So the same week when it’s this part of the world’s turn to endure a terrifying heat wave, I’ve been given the opportunity to write “Hot Enough For Ya?” (Believe it or not, this stringent attempt at truth-telling may be less than five minutes. Don’t blink!)

But here’s the thing: What most excites me is this: that generous gift. I was trying to explain why I’d felt so moved by this serendipity to a group of friends last night. “It was like the Universe was being kind, or my Muse showed up, or it was kind of like grace or . . . ” my voice trailed off.

A dear friend—whose childhood had been vastly different from mine—offered another version. “‘Krisha‘s mercy,’ it’s sometimes called.”

I love that!

Palabra means Word

On Mardi Gras, sensing I might find what I sought in a space unlike my unadorned meetinghouse, I attended evening mass at Saint Anthony’s, the Catholic church nearest my home. On my five minutes walk in a soft rain, I imagined the smell of beeswax candles, incense, chipped and faded statuary dimly seen, I imagined the priest’s and congregants’ words in Spanish, a language I do not speak, washing over me as if a steady stream. I imagined myself lighting a couple of candles and then to be left alone.

My first surprise—of many—was to find myself in the church’s basement; brightly-lit, its walls and brick archways framing the alter painted a bright, sunflower yellow, its pristine statuary equally glowing as if lit from within.

My second: In front of a statue of Our Lady of Guadalupe, I found rows of red plastic candles with a metal slot in front of each one. I tried inserting a quarter into one slot. It worked! So I did that again with a second candle. And tempered my disappointment with my first opening: this is how millions of people all over the world light candles before holding someone in the Light. I can, too.

Third surprise: I was not to be ignored. At certain moments the other worshipers would turn around, smile, extend their hands in my direction. Such lovingkindness made me teary; warmed me. Though we speak different languages, though our hands did not touch, as in namaste, something of Spirit within them connected with something of Spirit within me.

Last surprise I’ll note: The priest’s words or song lyrics sung to guitar accompaniment were not a steady, unintelligible stream. Certain words or phases asserted themselves. When the priest began The Lord’s Prayer, for example, from the rhythm and repetition of certain words I knew what he was saying. And heard that prayer with different ears. Repeated palabras made me wonder if maybe he was reading John 1 through 5?

But did it matter if I was right or wrong? No. I exercised new heart muscles and although my soul heard Good News in Spanish, it understood.

Thank you, Comet C/2022 E3 (ZTF)

[“You are Star Stuff” by Betsy Roper]

Like many aging people, I sometimes struggle with insomnia. Anxious, depressed, fearful; it’s dark night of the soul time for sure. Over time, however, I’ve gleaned how to manage these gnarly sessions. Somewhat.
Lesson Number One: Never ask myself why I might be anxious. Because there’s always something to be anxious about, right? But if I choose to give this free-floating feeling a place to land, whatever situation or challenge I mentally name will not just land—it will colonize. And there goes any hope for sleep. No, better to give my gnawing brain something to chew on besides, say, a bumpy conversation with a dear friend that day, and maybe what I should have said was . . .
Once upon a time, repeating the lovingkindness prayer over and over on behalf of family and friends had worked like a charm. “May X be/feel safe. May X be happy. May X be healthy. May X live with ease,” I’d whispered over and over. My heart rate slowed and, enveloped in love, I’d fall back to sleep. Sadly, though, like a medication that over time loses its oomph, this practice is losing its efficacy. (Not that I’ll cease to send out lovingkindness into the universe. I have merely stopped expecting a different outcome.)
But recently I began to wonder if, like the lovingkindness prayer, focusing on something love-based might work. What if, during those tossing, turning moments, I considered my “All my relations”? And the “peace of wild things“? What if I reviewed the previous day to recall moments of wonder, moments of connection with something not anthropocentric, moments when I felt a part of the Whole and aligned with All?
Great idea, right? Two small problems, though. I live in a city. And it’s February!
But even in February, even in over-developed Somerville, such moments are possible. The five or six goldfinches who daily alight in the top branches of the tree across the street so easily visible as I write in my journal; how they glow in early morning sun! Or how the scraggly, messy, strangely beautiful native-plant garden bordering a park near my house warmed me on my cold, brisk walk. Or how . . .

Early days into this new practice, on Wednesday and Thursday, the nighttime sky provided such wonder; the passing of Comet C/2022 E3 (ZTF). Let me be clear: I experienced that wondrous, last-time-this-passing-happened-was-50,000-years-ago comet. I didn’t actually see it.

No: I mindfulness-nessed it. I stood in my back yard, faced north, and, like sending off the lovingkindness prayer into the universe, I sent off my awe, my gratitude, my alignment with Wholeness in that green-tinted comet’s general direction—before scurrying inside to get warm.

And slept well. Both nights.

Why I Choked Up—Maybe

Yesterday, Martin Luther King Day +1, like many greater Bostonians, I made the pilgrimage to downtown’s Boston Common to view the just- installed “The Embrace” sculpture. I was prepared to love this celebration of the moment when Dr. King and his wife Coretta learn he’s received the Nobel Peace Prize. And I did. I was not prepared to choke up.
The backstory to my tears: Because Monday’s snow and ice kept me from attending the sculpture’s installation, I’d read up on its backstory. To discover that its location commemorates a significant moment in Boston’s checkered civil rights history: when Dr. King spoke on Boston Common on April 23, 1965.
A senior at Wheelock College, I was there. But not to hear Dr. King!
May the story I’m about to tell illustrate more than my tiny little piece of American history: As readers of Way Opens know, in April of 1965, like most White Americans, my understanding of racism and our nation’s history was woefully ignorant. But when, the month before, Reverend James Reeb, a White Unitarian-Universalist minister, had been murdered in Selma, Alabama? That got my attention.
Here’s the point I want to make: Up until that cold and overcast April day nearly sixty years ago, I paid little attention to the civil rights movement. Vaguely aware of sit-ins, the Freedom Riders, that Dr. King visited Lynchburg, Virginia in 1962 where I was a senior in a just-desegregated high school, it took the murder of a member of my own denomination to finally break through my indifference.
BTW: Reeb’s name is inscribed on the plaza surrounding “The Embrace” alongside other Boston civil rights heroes—including Dr. Virgil Wood, still alive, I believe, whose picture graces the cover of Way Opens. Another story.
So I cried for that young, very young twenty-year old. And for of us who cannot recognize injustice nor show up at a march or demonstration or rally unless its cause relates to our own experience.
I’ll end with this: Resident of a metropolitan region infamously famous for its racism, for me that massive sculpture roused—what? grateful tears too?
I think so.

Comin’ Around Again

When I was young I was very young. And the world I grew up in was a younger world, a world that told me, “When you grow up, you can be a secretary, a nurse, or a teacher.” So for many reasons that seemed relevant in those long-ago times, I chose teaching. Given that those times’ imposed limitations meant that my “choice” wasn’t much of a choice, turns out I am a pretty good teacher! Turns out, interacting with children gives me enormous joy! Turns out, I got lucky.

Over the years my teaching career swerved from teaching elementary school-aged children, as I’d been trained to do in college, to teaching deaf teenagers, to, for almost 20 years, working with adult learners in housing projects, homeless shelters, and at an adult learning center. But when my first book was published in 1998, I declared myself a writer—and never looked back.

Until now. A grandmother, I am once again teaching small children at my Quaker meeting. I’m again writing lesson plans. I’m again buying art supplies. I’m again talking with parents about their children’s needs. I’m again being schooled by insightful and loving co-teachers. And scraping play-doh off a rug. (Oops.)

And while sometimes this gig feels very automatic—”You know, we’ve heard some wonderful ideas from you. Let’s see if someone else has some good ideas, okay?”—something feels absolutely new.

This choice is so, so different, isn’t it! So realized. So informed. So much about joyously reclaiming a part of myself that, yes, I’d only dimly understood over sixty years ago (GASP) when I’d chosen Teacher. So whole.

To Have and To Hold

When I was maybe three or four, one of my favorite “toys” had been my mother’s button box. (What was that box’s backstory? Was it made of sturdy cardboard or metal? Had it once held candy or tea? Had it been a biscuit tin? I don’t remember.) I’d loved the susurration those hundred of buttons made when I slowly trawled the box’s contents with my hand. I’d loved the randomness; the not-knowing what I’d discover in my hand when I extracted one or two buttons. Would I hold a large, plastic, Art-Deco button from a thirties-era jacket?A tiny, opalescent mother-0f-pearl memento of my babyhood? If I dipped again, would I perhaps find a duplicate to my first haul? What I’d loved most, though, was to treasure whatever I held.

Sunday night, my sister’s vast collection of earrings, necklaces, bracelets, brooches, pendants, and rings covering my living room coffee table, I was reminded of those individualized and reverent moments. Randomly picking up an exquisite ring or a necklace, I held my fierce and brilliant sister Deborah, who died from pancreatic cancer on June 7th. With tenderness and care her grieving ex-husband and son have been slowly dispensing her things; Sunday night, thanks to my daughter’s cell phone’s texting capabilities, our extended family had the opportunity to pick and choose a piece of Deborah’s jewelry.

Because my sister had already specified she’d wanted me to have her silver charm bracelet, my brother-in-law handed it to me beforehand. What I slowly realized as I picked up and admired Deborah’s collection, one by one, was that her laden, tinkling keepsake would be enough. (Although I did chose a couple of pieces I plan to pass along to two dear friends who have held me as I grieve.) Like admiring my mother’s button box collection, I loved, loved, loved cherishing Deborah’s jewelry. And that charm bracelet is enough.

This understanding may have been made more clear for me, I think, because of my recent visit to the Isabella Stewart Gardner Museum. Over the past fifty years I have visited “Mrs. Jack’s” hodgepodge collection many times; this most recent visit stirred up some concern: What happens to someone’s soul when she owns so much cheek-by-jowl, impossible-to-keep-track-of beauty? How could Isabella Stewart Gardner possibly love the thousands of things she’d collected? At some point, had she become inured to her breathtaking possessions? Become deadened to such overwhelming splendor? After the crowds went home, had she ever strolled through her higglety-pigglety gallery rooms and randomly picked up something small and exquisite? Had she held it? Loved it?

I hope so.

“Just Roll With It”

[Turner’s unfinished “Venice with the Salute”*]

Yesterday, in the collective silence of a Quaker meeting, I waited for whatever was to come to come. And was given: “You’re sad, sweetheart. Just roll with it.”

At first, feeling that acknowledged sadness weight my body, this somber, right-on message seemed enough. Full Stop. The End. But as I literally sat with that weight, sadness became A Thing, an opening, a possibility, a tool, a medium. “My palette,” I decided. Something to work with.

So I will. I am.

*”Venice with the Salute, about 1840-45 (Oil on canvas)

The monumental Baroque church of the Salute, with its great dome,

dominates the entrance to Venice’s Grand Canal. Turner probably

focused on this landmark in hopes of finding a buyer.

He left the work unfinished, however, barely defining the buildings

on either side; water, land, and sky merge. The extraordinary,

shimmering forms evoke the paradox of dense fog on a sunny day.

[Explanatory notes, Boston’s Museum of Fine Arts, May 2022]