Apples and Oranges

We talk about “speaking truth to power”; sometimes using just the right words, even if they’re highfalutin’, can be enormously clarifying. Like “false equivalency.” I am loving how, with greater and greater frequency, the media is calling out out the Right’s “Well, how ’bout . . . ”  specious arguments. Which have confounded me for years but, until recently, never had language to understand—and name—this maddening “logic.”

But that’s so much about East Coast, New Yorker subscriber, writerly me! Who loves words—even five syllable ones. But when I acknowledge that, I am quickly brought up short. Because I find myself wondering how such multi-syllabic language plays on Fox News? And aren’t I being elitist? Aren’t I being snotty about my Red State fellow Americans? Who maybe love words just as much as I? And can recognize apple/oranges just as well as I can?

I wonder.

Just Imagine!

Saturday, at Art Beat, Somerville’s largest cultural festival, I experienced A Moment: The nearby band playing Elvis Costello’s “(What So Funny ‘Bout) Peace, Love, and Understanding,” an immigrant grandfather, his three grandchildren, and their parents decorated butterfly* pins, the adults as fully engaged in color selection and overall design as the three children. Seated on the opposite side of the table from where this lovely family worked, I thought, “This is how this country can be. This is what it could look like.” And welled up.

Safe. Gentle. Creative. Loving. Welcoming. Collaborative. All-ages. Inclusive. Multi-ethnic. (And, hey! How ’bout that perfect, profound soundtrack!)

Just imagine!

“Why me? Why us? Why Now?”

There is an us in this famous Marshall Ganz statement. I keep forgetting that. Called to follow Micah’s admonition to do justly, love mercy, walk humbly, I keep forgetting that a huge part of my particular version of humbly is to remember that others, too, are called.

Although, as someone recently pointed out, while many who are called may be “compassion-fatigued” right now, others may be “compassion-confused.” And wonder “What can I do?” Which might mean that on Saturday, at Somerville’s Art Beat, telling the throngs of people who will be flocking to Davis Square about The United Legal Defense Fund for Immigrants will be welcomed news! Good news!

(Which is why, like a diva, I’m resting my voice today!)

 

 

Tethered

Last evening after the rain had ended, I was walking along one of Cambridge Common’s asphalt paths when I noticed a mother and her two or three year old son walking ahead of me. Coming upon the park’s broad and luscious open space, its grass glistening from the rain, the little boy darted off the path and ran, just ran, twenty, twenty-five feet away from his mother—who continued to walk along the path. Not actually looking at her, he turned and happily walked through the wet grass as if alone yet parallel to her, eventually veering closer and closer to her until, maybe fifty feet down the path, they rejoined.

I’d been thinking about my dear friend, recently released from prison and dealing with all the terrifying and daunting issues of re-entry,  when gifted with that child’s joyful yet judicious experience of freedom. Because, yes, when that child first took off he’d been so free! And my friend tells me he sometimes experiences freedom, too. And about as briefly.

Because although his cell bars and his manacles have been removed, my friend’s still tethered in ways he both understands and, like that child wordlessly and instinctively tracking his mother’s route, he’s also still bound up in ways he cannot yet name.

 

Emergent

Saturday I attended the memorial for Paul Hood, a much revered peace activist and former member of Friends Meeting at Cambridge. Paul, who’d moved to Burlington, Vermont in the early eighties, had been an FMC superstar back in the late seventies—just when I first started to attend Quaker meetings. One Sunday, perhaps after he’d spoken during worship, someone whispered to me that he’d poured blood on Draper Labs, an apocryphal  story, probably; nevertheless, as a newbie, I was impressed. (And, certainly, like many other Quakers I have come to know and admire, Paul was arrested many, many times while doing civil disobedience in support of some deeply-felt cause.)

The pamphlet distributed at his memorial provided the genesis for his life-long peace activism: During WWII in the winter of 1944, he consulted with his minister who counseled him that he must serve his country and that it was in accordance with Christian faith; so, at the age of 17, having also obtained his mother’s permission, he enlisted in the US Marine Corps. Shortly after his deployment to Japan, in the battle for Okinawa, a fellow soldier died in his arms and Paul’s shock precipitated an enraged killing spree that, albeit sanctioned by his status as a soldier on the front line, left him horrified and ashamed.

I have heard versions of this story many times over the years; indeed, I have experienced—and written about—a far less dramatic yet still life-changing version myself. So on Sunday, in the quiet of silent worship, I spent time thinking about, you know, Redemption. Transformation. Do-Overs. And that perennial challenge, Self-Forgiveness.

And maybe because on Friday I’d released the four Painted Lady butterflies I’d watched grow from wriggly caterpillars, hourly poking my nose against their netted habitat to observe their latest miraculous development, I realized on Sunday that I was thinking different.

Non-binary, for sure. It’s not “Ocean of Darkness vs. Ocean of Light,” is it. The darkness becomes the light. Transformation—which, surely, is another God word—is always in movement, always in flux, sometimes forward, sometimes back, sometimes imperceptible. (The four chrysalises emanated such quiet strength I could sense their life-force yet nothing visibly moved.)

When I imagine self-forgiveness (Yikes), I’m stuck.

God isn’t.

 

 

 

With A Tender Hand*

Yesterday at meeting for worship, an elderly man struggled to stand and then spoke so quietly that almost no-one could hear or understand him. Yet, like the rest of eighty or ninety people seated in the meetinghouse, although I’d given up all hope of understanding what he had to say, I held my breath. We were all holding our breath, I sensed, we were all listening to words beyond his words; we were, all of us, deeply respectful. Because, as someone noted later, he was so clearly between Being and Not Being. “On the ledge,” someone else put it. Or as I’d noted at some point during my mother’s last months, the veil between his life and death was thinning.

Would that collective, open-hearted receptivity been different had he been a Person of Color, I wondered? This question came to me because I am trying to observe what happens at my Quaker meeting as though I am not the white and privileged person I am. What about if he’d been a scruffy, unkempt street person? Would we have listened so carefully, so tenderly; in prayer?

I think we would. I think that witnessing such a moment is holy. And so, regardless of the messenger from that Ledge, we would be reverent.

 

* “Our life is love, and peace, and tenderness; and bearing one with another, and forgiving one another, and not laying accusations one against another; but praying one for another, and helping one another up with a tender hand. . .” Isaac Penington, 1667

Hammered

Sunday night, partly out of curiosity, mostly to accompany my wonderful nephew, I went to Boston’s House of Blues to hear two Brooklyn-based bands, House of Waters and Snarky Puppy. Surrounded, mostly, by intense, absorbed young men one-quarter my age, this seventy-five year old grandmother  cheered, danced, oohed and ahhed at the amazing musicality, the talent, the showmanship I experienced, super-loud, super-close and personal and just feet away from where I stood. (Yes. Stood.)

House of Waters, who opened, were a delightful surprise; my nephew declared he’d actually like them better and I have to agree. The magical sound of a hammered dulcimer? The most amazing bass player I’ve ever heard? (And I was once a huge Jaco Pastorius fan.) A relentless, preternaturally cheerful drummer?   What’s not to like?

Well, to be honest, I felt too close; my aging body too rattled by the powerful, constant thump of the bass drum. So if I do this again I won’t stand so close to the stage.

Here’s what I loved most: to feel all that young, intelligent, appreciative energy all around me. “Dude!” the tall young man next to me kept shouting at a particularly intricate modulation or a virtuoso solo.

Exactly.

Identity Politics

I’m old enough to remember when clothing first became a major form of advertisement, self or Calvin Klein et al. Loathe to become a walking billboard, I’d tried resisting—buying vintage proved an excellent strategy—but over time I reluctantly had to accept that resistance was futile; this branding phenomenon was here to stay. (And that I would continue to buy vintage; Goodwill.)

So I’m not exactly sure what led me to buy, retail/online, a KAMALA baseball cap. But am so glad I did.

Because although I am now, indeed, a walking billboard for a presidential candidate, what’s happening is that my cap, an anti-MAGA statement, is inviting total strangers, many of them People of Color, to chat.

What I’m hearing in these conversations is both excitement that a brilliant, strong Woman of Color just might have a shot at the presidency and the steely, reasoned, cold, hard pragmatism of Let’s Go With Whoever’s Going To Win. So maybe, sigh, one of those Old White Guys and Kamala for Veep?

None of this much matters yet. But then, I’m a Quaker, so I’m comfortable with lots of different ideas, different possibilities, different What Ifs tossed round—and trusting that something worthwhile will eventually emerge. That the Democratic Party will do The Right Thing. Whatever that will look like. Which, admittedly, given the horrors of America’s political reality like special interests and racism and sexism, is probably crazy. Although “Knock Down the House,” which I just saw, certainly gives me hope.

Meanwhile, about Kamala Harris. And me. And why I’m rocking her merch. Because, no, she’s far from my ideal candidate. My understanding, for example, is that she has not signed the pledge to refuse fossil fuel campaign contributions. (Note to KH: “C’mon!”)

No, Dear Reader, as crazy as what I am about to say is, here’s why I hope she wins: Remember during one of the debates, when Hillary was talking and Trump was pacing back in forth behind her? (And as a former TV star, he knew he was in camera view.)

Here’s what I’m pretty sure Kamala would have done. She would have stopped. She would have turned around. She would have said something like, “Donald? You are losing votes right now. Every woman who has ever been bullied or imposed upon or threatened by a man—and that’s all of us—is watching you right now. And deciding not to vote for you. And every Person of Color who has ever experienced a white man claim a space to be his property, his turf—and that’s all of us—is thinking the same thing. Sit Down.”

 

 

 

What’s The Story?

Palm Sunday I was walking towards Friends Meeting at Cambridge (FMC) when I caught sight of a small procession outside the Swedenborg Chapel. Or, as a little boy walking along Kirkland Street near me exclaimed to his father, “It’s a little parade!” Members of an African-originated faith group, I’m guessing, the singing procession-members wore white clothing and red hats and, waving palm fronds, marched single-file along the chapel’s sidewalk behind one of their members who held a carved, wooden cross a foot or so above his head.

As we stood together watching this procession across the street I wondered: Will the father tell his child the story behind this little parade? He did not. So, I confess, I actually considered telling it, myself (Yikes!). But, thank you Jesus, instantly I realized the pair would simply dismiss me as crazy, a zealot, a weird old lady—so kept my mouth shut. And, soon, off they and I went in different directions.

Sitting in deliciously-long silent worship at FMC, I realized that the next time I’d be sitting in that space would be Saturday, April 2oth, at my mother’s memorial—where plenty of Pat Wild stories, celebratory and bittersweet, would be told. (Wilds are storytellers.) And about Story. And about the story I’d been tempted to tell on Kirkland Street. About why I’d been tempted. (More about Story has come since.)

On Sunday I realized a couple of things. My impulse to share the Palm Sunday story had been about my belief that it’s important to listen to the Stories most meaningful to our friends and neighbors. (Such gratitude for Robin Wall Kimmerer and all she has taught me about origin stories.) I shared this belief with my Sunday school students—high school students—when we studied the Bible. “This book, which early Quakers knew very well, remains incredibly important to millions of people throughout the world,” I told them. “Your lives will be filled with references to this book. So whether or not you believe every word,  as world citizens you’re going to need to have at least a cursory understanding. Otherwise, you’re going to miss a lot.”

Had that father not explained why those beautifully-clad, dark-skinned people across the street waved those palms and sang because he didn’t know? Or, perhaps, he did know, maybe better than I, but bore such pain around twenty-first century Christianity that he chose to remain silent? His silence invited me, sitting in silence, to go deeper about that story. And suddenly I realized something.

In storytelling there’s a device known as “a McGuffin”: a thing or a situation important to a character but which listeners (or moviegoers),  who know more about how the story is unfolding than the character does, care nothing about. (The most famous example is the envelope filled with money Janet Leigh steals in Psycho. That envelope is a McGuffin.) Thinking about the Palm Sunday story, I suddenly wondered if, perhaps, Jesus’s triumphant entrance into Jerusalem isn’t a McGuffin.

Because why’s he going there? To celebrate Passover. We tell Jesus’s triumphant entrance with such sadness—because we know what will happen later in the week. We know how this story ends. Jesus didn’t. A Jew, he was observing one of his faith’s most significant rituals by deciding to join his dearest friends to collectively remember The Exodus Story. (And what a powerful Story!)

So, now, okay, here’s where my Wild DNA kicks in; I am compelled to leave this tale better than I found it. Why did Jesus pick Jerusalem to celebrate Passover? Well, because those famous sisters, Mary and Martha, who’d patched up their differences and had agreed to perform the pre-Passover cleansing rituals together, to cook together, and discuss theology with Jesus together while their brother, Lazarus, did the washing up, had invited Jesus and his followers. (Their hometown of Bethany’s near Jerusalem. I looked it up.)

The denouement: As I write this, the world mourns the terrible destruction of Paris’s Notre Dame cathedral, an ancient, wondrous edifice I, like so many, have visited and been awed by—so much so that whenever I despair of my species, I remind myself, “Well, at least humans built Notre Dame.”

Nothing gold can stay,” Frost tells us. Things fall apart. A mighty cathedral can collapse.

But Story stays.

Let’s tell some.

 

 

Least of These

Somerville High School Temporary Ramp, March, 2019

There’s a wonderful cartoon depicting an elementary school entrance after a big snowstorm. A group of winter-garbed children, a couple in wheelchairs, wait at the foot of  the school’s ramp as the custodian shovels the school’s stairs, right next to the ramp. “If you shoveled the ramp first we could all get inside,” a child says.

A couple of weeks ago I remembered that cartoon while attending a memorial for Chuck Woodbury (1920-2018), beloved member of my Quaker meeting. Attentive father and grandfather, noted psychologist, ardent violinist, Chuck was also so hard of hearing that in his last years attending our meeting for worship, needed someone to sit beside him to write down the vocal ministry shared that morning. So it was fitting that at his memorial, people who wished to share a story about Chuck would stand and wait until the hand mic would be delivered. (This mic usage a first, I think.)

Two things happened because of this. Like all those children able to get inside their school, everyone could hear. Like those folks my age who, for now, may be pre-hearing aid—but not for long. Or, as so often happens, when a speaker dropped their voice at the end of a sentence—we all do that—anyone could catch those last three or four words. And because the woman tasked with delivering the mic walks slowly, we all had ample opportunity to reflect on the previous message and on what Chuck’s full, graced life meant for us.

How would this world be if “What will work for everyone?” were our guiding principle?And isn’t asking this question without ceasing another way to be a peacemaker?

 

 

 

Tea For Two Or More?

May I be a boring old woman who talks about her health? 

Thank you.

Because what I’d like to say just might be helpful to you:

Like many people my age, my cholesterol’s not been great and, like many people my age, I’ve been told by both my primary care provider and my cardiologist I should go on statins. But I’ve resisted. Mostly because I’ve heard many things about statins’ nasty side effects—muscle cramps being the one I’d feared the most—and would prefer to not wonder, with every other ache or pain, “Is this the statins? Or something else?”

But a dear friend’s stroke this past summer forced me to look at my own mortality more honestly—so I succumbed. And started taking this new medication in late September. The day before the Kavanaugh hearing. And during that hearing, had a violent, horrific reaction!

Was this the statins? Or my body’s revulsion at what I was watching unfold in a United States Senate chamber? I guessed both —but mostly the meds. So stopped taking them.

Here’s where my story gets weird. Because at this same time I was also reading The Tea Girl of Hummingbird Lane, a novel about China, mothers and daughters, and puerh tea. Towards the end of the book, one character references Alice Waters (a household god around here); Waters states that by drinking puerh tea, she cut her cholesterol in half! Hello!

So I made a deal with my cardiologist. For two months I would drink a mug of this tea, a tea which quietly invites me to sit, to ponder, contemplate, savor with others, every day. And then I’d have my cholesterol tested. 

Dear reader: It’s working! In two months my cholesterol has lowered enough so that it is not longer flagged as a health concern. 

You’re welcome.

One Small Thing

El Salvadoran mural featuring Monsenor Oscar Romero by Allison McKeller, December 7, 2007

I am delighted to report that the Friends Journal will publish my “Sweet Baby Jesus” on December 1st!

And that of the four choices I’d offered for the article’s accompanying illustration, they chose this mural! My favorite. Yes, it depicts sweet baby Jesus. (I love that his swaddling clothes are green. As in verdant, growing, life-giving.) And offers a visual tribute to liberation theology, referenced in my piece.

But to look at this mural, the same week asylum-seekers were tear-gassed at our border, is to be again reminded of Oscar Romero’s murder. We remember the upheavals and horrors of Central America—and our country’s role in those upheavals and horrors. We remember why people seek asylum. We remember.