Extraction

 

Coal Barge, Ohio River, June, 2018

“If you are a hammer everything looks like a nail,” right?  Or, since I recently had a molar pulled, I’ve been thinking—ahem—deeply about extraction. About trauma and pain. About “Keep it in the ground.” About The Extraction Economy. About rape. About women.

Let me be clear: Keeping the remaining reserves of coal, natural gas, and oil in the ground is imperative. Absolutely. Keeping a cracked and festering tooth in my head? Probably not a good idea. So, last week, reluctantly, very reluctantly, I agreed to undergo—well, I’ll spare you the details.

Out of this past week’s trauma and pain has come such tenderness! First for myself, formerly known as Ms. Got-It-Going-On, who now humbly answers to Sort-of-Glued-Together.  (What the hell was I thinking when I gave myself one day to recover? Jeez.)

Oh, such newfound tenderness for our raped Mother Earth! Such abundant tenderness for all who have been used, plundered, abused, invaded. Most, most importantly, such tenderness for my sisters. Who can speak with such authority about—and against—the Extraction Economy. Who can connect dots the patriarchy doesn’t even see. Who can bring our collective tenderness and wisdom to the table, to the board room, to the voting booth.

Because, yes. We got it going on!

 

 

Cognitive Dissonance

Shoes on a bowling alley rug, Malden, MA, 2017

Lots of blather, post the Cosby verdict, re “cognitive dissonance.” Male blather. So, guys, let me spell this out for you, okay?

Short answer: Those of us who identify as female know all about cognitive dissonance. Indeed, most of us have grappled with this profound and confusing and dizzying disconnect our entire lives. (We know about gaslighting, too. But that’s another story.)

I’ll elucidate: When you’re female, i.e. perceived as prey, it’s open season. No matter how old you are. Because hunters hunt. Hunters prey. Stealthily. With winks and whispers and sly smiles. Tragically, horrifyingly, these unwanted advances can be sexual; bewilderingly, they can also be simply a form of male muscle-flexing. But, nevertheless, still unwanted, still creepy. Believe me when I tell you, guys—believing women: talk about muscle-flexing!—that most females on earth have, in a private and secret and secluded moment, witnessed a well-respected member of our family or community being creepy. To us. Alone.(“Wink, wink.”)

So maybe now’s the time to roll out that useful F. Scott Fitzgerald quote: “The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.” Yup. So here’s a Fun Fact: most females possess first-rate intellects since we’ve grappled with This Crap since childhood. Makes you think about Zelda’s mental health issues in a whole, new light, am I right?!

My own story? To my knowledge, I was never sexually abused as a child. Thank God I’ve never been raped. (My novel’s Jewell was, though.) Since childhood, however, I have had countless creepy, bewildering experiences with men. Overly-attentive men. Family members, neighbors, members of our church community. Often, alcohol was involved. (Child of the fifties, I passed around lots of canapés at my parents’ cocktail parties.) Pretty sure that one incident, alone in our rec room with a “Visiting Fireman,” who’d come to our house for drinks and dinner, was egregious enough that my mother and father asked the next day if “something happened.” No, they didn’t elucidate. They didn’t provide useful language, offer guidance about boundaries, touch. But by simply asking that (too-broad) question they tacitly expressed disquiet. Which matched my own. Confirmed my own sense of creepiness when a grown man with Scotch on his breath ardently whispered how pretty I was, how I’d break a few hearts, some day, while my parents were out of the room. (I don’t think he touched me.) My parents’ bumbling question allowed me to begin to trust my own disquiet, my own, wordless Ewww!  (As the mother of four daughters, I’ve schooled them to trust their intuition and if something felt creepy, get the hell out of there!)

To drive home my point re perceived prey, I want to end this with another useful quote, this one from Margaret Atwood: “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” 

 

 

 

 

 

 

 

In Plain Sight

“Dead End.” Street sign seen through my window during Nor’easter # 2 (of 3, so far.) March 8, 2018

New England weather such as it right now, I’m reading more. Needing to replenish my books-to-read queue, between storms I stopped by The Book Rack, a funky, used-bookstore in Arlington, MA. Perusing its chock-a-block “Classics” section, I spotted a paperback edition of Kate Chopin’s The Awakening and, vaguely remembering something about its feminist pedigree, gladly paid a whopping $3.00 for Chopin’s “masterpiece”—as declared by its faded, blue, time-worn cover.

The Awakening was first published in 1899, shocking Victorian readers with its frank acknowledgement of female sexuality. So there’s that. Kate Chopin, born in 1851, is a stunningly beautiful writer. So there’s that. The Awakening details how wealthy, New Orleans-based Creole families vacation pre-air conditioning. So there’s that.

There this, too:

Madame Lebrun was busily engaged at the sewing machine. A little black girl sat on the floor, and with her hands worked the treadle of the machine. [Madame Lebrun] does not take any chances which may be avoided of imperiling her health . . . The sewing machine made a resounding clatter in the room; it was a ponderous, bygone make. In the lulls, Robert and his mother exchanged bits of desultory conversation.  (p. 38, AVON BOOKS, 1972.)

What are we to make of this? Is that sarcastic remark regarding Madame Lebrun’s delicate health meant to elicit sympathy for the little black girl producing such resounding clatter? Maybe. A child performing a function most contemporaries of Madame Lebrun—who owns the resort where these Creole families vacation—would have performed themselves? Perhaps. So is Chapin slyly asking us to consider that child?

I wish I knew. Definitively. Because I so long to believe that this ground-breaking novelist saw her sewing room scene with woke eyes. But that Chopin supplies that little, black girl with the plainest of adjectives—I mean, c’mon! The sewing machine got fancier labels—but no name tells us something, I think. And that one family’s nanny is simply the quadroon says the same thing, too, I’m afraid.

But here’s the thing. Once I understood that a (probably very hot and thirsty and exhausted) little girl was in that sewing room, too, she participated in every paragraph I read. That nameless child started when, suddenly, Robert, a young man in his twenties, loudly whistled out the opened window to his brother, three stories below. Silently she took in Robert’s and his mother’s conversation—and, perhaps, gauged whatever they discussed in terms of more hardship for herself? She may have even noticed what Robert’s mother did not: that at the mention of Mrs. Pontellier—whose sexual awakening is what this book’s all about—the besotted young man blushed, maybe. Got flustered, maybe. (Chopin merely had him suddenly leave.)

I see you, little black girl. I see you, quadroon.

 

 

 

 

(Almost)-Spring Cleaning

A Rainy Day at Castle in the Clouds, Moutonborough, N.H.

Sunday, chilled, rainy, very windy, I’d almost wished there’d been a fireplace fire in the meetinghouse fireplace. Surely a hearty blaze would brighten my spirits?  But, no, I realized. If there were to be any cheering up going on that gloomy morning, it would have to come from within!

And I remembered something someone in my yoga class had said on Thursday. (Actually, this was at our pre-yoga class, when we discuss a poem someone has brought in, or the Sutras, or a piece of writing our gifted teacher wishes to share.) One woman talked about sadness, hard times, grief and loss; how we’re sometimes too eager to be happy. “There’s good reasons to feel sad,” she said.

So I let myself sink into despair. Not to “wallow in it,” as my father always cautioned when anyone in our family dared to be sad. (You were allowed to be sad in my family for about five minutes. Then you had to get over it.)  But to be honest! To honor the countless reasons we all have to feel sad.

And, mysteriously, after way more than five minutes of sitting in silence and letting myself “feel the feels,” as my daughter, Hope (!) says, Something happened. As if something inside me had been decluttered, de-cobwebbed, dusted or lemon-oiled or rearranged. As if I’d cleared a space within me to hold this sadness. And it was okay. More than okay. It was exactly what I was supposed to do.

What Joy when we do what we’re supposed to do!