[“Noli Me Tangere” by Patricia Miranda, 2005]
It was years ago, in the midst of the random opulence and higgledy-piggledy of Boston’s Gardner Museum, that I fell in love with Mary Magdalen. This one. “I may not yet know how to love Jesus,*” I thought, instantly attracted to Raphael’s redhead. “But, ohmygoodness, will you look at her! Such love!” For what I somehow understood—oh sweet mystery!—was how Mary Magdalen’s tenderness, her love, her oil-painted kiss embodied agape: transcendent, universal, non-sexual love. A love so powerful it transcended my feminist queasiness to see a woman, any woman, on her knees kissing a man’s foot. Oh, my!
So, back in the earliest, stumbling-around days as I explored how I might share my novel, Welling Up, online, I examined Jesus and Mary Magdalen paintings—both to discover what various artists’ work might teach me and, of course, because, a website needs art! I looked at lots and lots of paintings. Like this one.
Maybe, if I hadn’t already viewed Fra Angelico’s “Noli Me Tangere,” Patricia Miranda’s painting would not have caught me eye. Maybe. But I think Miranda’s stripped-down to-its essentials version of this biblical, “Touch me not,” moment would have intrigued me no matter what. Yes, knowing its backstory enlarges my appreciation of her work—but will you look at what she’s done?! Those ardent yet non-touching hands stretched towards each other, hands that speak of that same transcendent love I’d been moved by at the Gardner? Those somber, funeral colors coexisting with three robust, verdant trees and Latin written with luminous, gold leaf? That mysterious, white trapezoid off-center yet somehow dominate?
So you can imagine how excited I am that the very first thing you will see when you open up WellingUp.net—to be up and running in a couple of months if all goes well—is this painting. Which I have permission to use. (And, perhaps, you’ll also understand why I’ll need at least one more post to say all I want to say about it!)
Thank you, Patricia Miranda.
* “The post-Easter Jesus” I now know to label.