Patricia Wild

“Excellent For The Times”

Radcliffe College Alumnae Questionnaire; filled out by my grandmother on November 9, 1939

Yesterday, spurred on my my oldest daughter’s curiosity about my beloved “Grandma,” I spent a couple of hours in the Schlesinger Library perusing Florence Moulton Mirick Wild’s alum folder. (Some people go to spas for self-care; I go to the Schlesinger!) A “Special Student” at Radcliffe College from 1897 until 1899, Florence never graduated but, apparently, felt warmly enough about her college experience to at least continue filling out alumnae forms.

[Before taking a brief look at two ah-hahs from yesterday, a warm, hearty Shout-Out to the Schlesinger! Thank you, insightful and wealthy people, for realizing that the lives of women are important. And that women’s letters and ephemera and papers et al. should be preserved. Yes.]

“Number of servants.” Not sure what surprised me more; that Radcliffe College wanted to know—or that my grandmother reported in 1931, at a time of great financial struggle for millions of people, that the Wild family employed one servant. I am guessing that servant was female, young, Irish, “right off the boat,” as her son, my father, would say. And I wonder: where is this nameless “One”‘s story preserved? (Sadly, I think I know the answer.)

“Excellent for the times“: In my grandmother’s breezy response to a question about how much she earned as “Supervisor for Public School Music” (for the Webster and then the Worcester, MA school systems, 1907 -1912) I detect both her WASPy squeamishness to talk about money and her justifiable pride. How horrified my grandmother would be that in 2018—her first grandchild now a Grandma, too—when it comes to women’s incomes, there still is no parity.

(What would Grandma make of today’s #MeToo movement?)

“Carved In Stone”

“The Avenger” by Ernst Barlach. Bronze; cast in 1934. On display at the Fogg Museum, February, 2018

Sometimes I visit an art museum as if expecting to be tested. I study everything, read everything, skip nothing, dutifully walk in the direction the exhibit designers want me to go. Other times I randomly stroll through galleries until a color, a shape, a face demands my attention. Super Bowl Sunday afternoon at Harvard’s Fogg Museum, this face stopped me cold.

There’s a touching story behind that mournful face: Barlach, a German nationalist, created an earlier version of this sculpture from clay and plaster in 1914 as The War To End All Wars (ha!) raged. “As the fighting dragged on and disillusionment increased, however, Barlach envisioned war less as a noble sword-bearer and more as, in his words, ‘a hammer wielding butcher.'”* Years later he carved that same figure, this time from wood, recreating that avenger’s face to reflect his disillusionment, then cast the 2.0 version in bronze.

Quakers talk about “continuing revelation;” how Truth might be cast in stone but/and can also reveal itself in new forms, new ideas, new media.

Spirit’s not done with us yet.

*from the museum’s wall description

Let’s Talk About Optics 2

Women’s March, Cambridge (MA) Common, January, 2018

Not a visual person and all too willing to lose myself in whatever movie I’m watching, at one point in my life having a daughter-as-set-designer changed how I see a film. Sitting in a movie theater I remind myself: “Someone’s daughter made a zillion decisions about what I see right now.” (Yes. I always think daughter. That’s what I do.) “So I better pay attention.” And I do.

So, recently, finding myself completely swept up in “The Post,” I coached myself again. And, oh my! Because what I saw was “The Female Gaze.” Written by Liz Hannah, this movie has women’s fingerprints all over it! Watch the trailer; pay attention to where the camera is, where Meryl Streep is positioned, what colors she wears, the pictures of her family in the background as she argues with Tom Hanks. The camera LOVES her! But, more important, wants us to walk in her pointed-toe pumps as she enters smoke-filled rooms filled with men. Did I love, love, love that the movie’s climax is announced by a women reporter? You betcha!

Sure, it’s a Hollywood movie; sure it’s cornball Capra-esque. Isn’t that why we go to movies? To experience multi-sense entertainment that will provide what we crave: romance, shoot-em-up, fantasy, or in the case of “The Post,” a period piece—oh, to hear Walter Cronkite’s voice again!—celebrating what’s best about this currently bedraggled and riven country.

That’s what I needed. That’s what I got—and, thank you, Liz Hannah—the unexpected joy to see what can happen when a gifted, young woman writes a screenplay!

Let’s Talk About Optics

Enough with the pussy hats! Okay? If we’re really going to smash the patriarchy, my sisters, if all who identify as women are truly going to stand, side by side, we have to do what that patriarchy rarely does. We have to listen. Listen to the voices who said last year—and, told us again this year—this pink pussy thing doesn’t work for me. So. Just. Stop. (Related: And, c’mon! Let’s show some sensitivity, huh? Some R-E-S-P-E-C-T? Jeez!) So many powerful and insightful symbols out there. Let’s find a symbol that women of color and transgender women will applaud.

And let’s get to work. As a sign at Saturday’s Cambridge Common Women March nagged: “The patriarchy isn’t going to smash itself!”

It Just Wells Up, Right?

Pre-Dawn Snow Sorm; Nashville International Airport, January, 2018

Sometimes it just hits me: my easeful life is made possible by the labor of thousands, millions of men and women working under conditions I cannot even imagine. Sometimes it just hits me: life is grotesquely unfair. (Yet I will almost always win.) And for hours, days, maybe even as long as a week, that piercing realization informs everything I experience.

But over time, this in-my-bones realization of the enormous disparity between my blessed and privileged life and those “less fortunate” —such a cold and lofty and dishonest phrase! — well, it fades. Lessens. Deadens.

How do I order my life so that this once-piercing realization informs everything I do? A citizen of a deeply connected/ interconnected Beloved Community, how am I to be truly mindful of all its residents?

I wonder.

Kamala Harris for President! (Oprah for Vice Prez)

A joke my Lynchburg, Virginia high school classmates used to tell; maybe they still do:

Didja hear about the guy who died on the operating table but the doctors brought him back to life? [No!] Yeah. he saw God. [Pause] She’s black. [Sometimes, they added “And is she pissed!”]

Sixty years after my classmates snickered at such a deity, women of color now sit in the front of the bus. They drive that bus. And fly planes. They sit in boardrooms; they sit in the Senate and the House. They’re the mothers of movements like Black Lives Matter and #MeToo. They got us to the moon.

So, no, while I no more believe in that pissed, black Goddess sitting on her golden throne in the clouds than I do some bearded, white guy, when I consider women like Kamala Harris or Erica Garner or women of color I know and love, the God-as-a-verb way I perceive Spirit deepens. Yes.

New Year’s Affirmations:

May good people walk beside you.

May you find strength and joy in community.

May you receive “Good Will, Support, and Healing”* from others.

May other living beings guide you, teach you, sustain you.

May you find your way.

*One of the Friends Meeting at Cambridge’s Wednesday night sharing circle’s most cherished values.

“This Turning Year”

Winter Light at 7:39 AM, EST, December 21, 2017

Pretty sure I learned about the winter solstice from a textbook—in sixth grade, maybe. Dimly I can conjure up the rudimentary, line-drawing illustration that accompanied the text. I’m betting “solstice” had been on that week’s spelling test, too. Sound familiar?

Wouldn’t it have been wonderful if Mr. Phelps, our natty, bowtied, horn-rimmed glasses science teacher, had exclaimed: “Think about it, boys and girls,” his voice rising in excitement.* “Our shared ancestors knew about the winter solstice because they noticed it! They noted, they studied, they watched the world around them, the seasons, the weather, the night sky. They figured out a way to keep track of what they’d observed. Think about it!”

Here’s what most moves me about this simple, elegant fact about those ancient souls: That we’ll never know who first figured out this “turning year” phenomena. But I’m guessing the cumulative observations leading to our understanding were collaborative, communal; I’m guessing women and children participated in that ancient data collection.

And, today, right now, December 21, 2017, it brings me to tears to be reminded that our greedy, selfish, warring species can also be curious. Such a simple yet wondrous quality of being human. Yes.

A Winter Blessing
By Rev. Dr. Rebecca Parker

In the shadowed quiet of winter’s light
earth speaks softly
of her longing.
Because the wild places are in tears.

Come, she cries to us.
Kneel down here
on the frosty grass,
and feel the prayer buried in the ground.

Bend your ear to my heart
and listen hard.

Love this world, she whispers.
Distill peace from the snow
and water the cities
with mercy.

Weave wonder from the forest
and clothe grief
with beauty.

Rest in the rhythm of the turning year,
Trace the bending arc
Rounding the curve toward justice.
And vow anew to do no harm.

The winter trees stand watch
haloed in the last gleams of the slanting sun.
Glory sings here.
Heaven echoes the call:
Repeat the sounding joy.

Make your life an answer:
Bow.
Praise.
Rise.

*For all his bowtie primness, Mr. Phelps was, on occasion, passionate. His marveling that the Russians had launched Sputnik was both unexpectedly adorable and illustrative; that my Cold War-era teacher had been so gaga about this historic event taught me something fundamental about science.

“Right There I’m Sort Of Glued Together”

Last week, doing warrior pose in yoga class, I remembered how, right after Trump had been elected, my usual teacher, Annie Hoffman, was out of town—so we’d had a sub that day. A wonderful teacher, the sub had prepared a themed class; a series of poses and movements readying us to become women warriors. “Cool idea,” I thought; my body felt differently. Moving slower and slower as if weighted down, I finally stopped altogether.

“What’s going on?” the teacher asked.

“I’m not ready to be a warrior yet,” I realized. “I’m still too sad.” ( So she Immediately set me up in a restorative pose. Where I cried. And felt my muscles twitch and relax.)

Since the tax bill vote I’ve been in a funk. (Yes, today’s news from Alabama is definitely lifting my spirits!) After a year of being a warrior, though, I no longer deny my occasional need to crawl under my quilt for twenty-four hours. “Re-covery,” my yoga teacher quips.

When in this melancholy state, a favorite Rilke poem, “Title Poem” from The Voices, always comes to mind (Eerily apt vis a vis that tax bill, yes?) :

It's OK for the rich and the lucky to keep still, 

no one wants to know about them anyway. 

But those in need have to step forward, 

have to say: I am blind, 

or: I'm about to go blind, 

or: nothing is going well with me, 

or: I have a child who is sick, 

or: right there I'm sort of glued together. . . 

And probably that doesn't do anything either. 

They have to sing, if they didn't sing, everyone 
would walk past, as if they were fences or trees. 

That's where you can hear good singing. 

People really are strange: they prefer 
to hear castratos in boychoirs. 

But God himself comes and stays a long time 
when the world of half-people start to bore him.

Lost

Caught in another traffic jam, my husband and I agreed: “Right this minute, half the people in Greater Boston are sitting bumper-to-bumper, the other half work on the construction projects that block all this traffic.” Today, walking home from East Somerville, I glanced at the horizon and saw a skyline I’d never seen before. Where had those buildings sprung from? Iconic Somerville hotspots like Johnnny D’s? Razed. My auto mechanic’s shop, just down the street, has been usurped by a glitzy new building touting million-dollar condo’s. What? And while I know that it’s normal for people my age to view a changing world with bewilderment and alarm, the disruption and displacement and gentrification happening in my formerly working-class neighborhood right now is not a normal I can accept. Far worse, after what happened on the Senate floor Friday night, I can no longer recognize my country.

Last week my yoga teacher shared this poem with our class. Perfect timing, right?

Lost

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

David Wagoner
(1999)

“I’m Sorry”

My first day at my new, Lynchburg, Virginia high school, a classmate confronted me: “You’re a Yankee, aren’t you?”

In a baby-blue shirtwaist, a white cardigan with pearl buttons draped across my shoulders, fourteen-year-old me nodded.

“I hate Yankees,” she snarled—and recited horrific facts and figures regarding Sherman’s march to the sea.

“But I wasn’t even alive, then,” I sputtered indignantly. “That was the Civil War!”

“Civil?” she pounced. “There was nothing civil about it!”

Nearly sixty years later, what might I now say to that woman?

“I’m sorry, ” I’d begin, Ta-Nehisi Coates’ new book underpinning my careful words. “What Sherman did was unspeakable—well, no, that’s the wrong word. Because you and I, we need to talk about that bloody, horrible war. You and I need to talk about how that war was about maintaining a “peculiar institution.” Let’s talk about slavery, you and I. And I need to talk about the unspeakable injustice my Pilgrim ancestors did to the people whose land they stole. We both need to acknowledge our shared history of oppression. We need to own that our forefathers were the oppressors! So, to begin, Carole Fielder*, let me say this: I am truly sorry for what Sherman did.”

And I would mean every word.

*Voted Most Likely to Succeed by the Class of 1962

Between the Lines

A Puddled Crosswalk in Harvard Square; November, 2017

Saturday after sunset, driving back to Massachusetts from Vermont, it began to rain. I hate, hate, hate driving in rain and dark!* But even more, as I explained to my husband—who’d driven the north-bound trip that morning—I hate being “an indolent wife.” So, gripping the steering wheel at 10:00 and 2:00, I pressed southward.

Traffic on I-89 and, eventually, I-93 fairly light, headlights from opposing traffic and beside us provided just enough light to see the white lane lines; definitely a “Light that is given” experience! “All you gotta do,” I coached myself,” is keep the car between those lines as the highway reveals itself, yard by yard.” (And, oh, yeah, keep an eye out for the red tail-lights of night-vision-impaired drivers in front of you going way, way less than sixty-five miles an hour!)

Super-focused, I nevertheless registered a sense of liberation—joy, even—as everything fell away save my one immediate assignment. Everything! Nothing else mattered. I felt held by those lane lines. I felt enormous gratitude for interstate infrastructure!

A couple of times the rain let up, allowing a long-buried memory to surface and to give additional context to my existential experience: When I was a teenager I actually volunteered to visit my town’s church youth groups to tell adolescent Baptists or Episcopalians about my faith. (Why in the world—or, rather, in Lynchburg, Virginia, where my family was living in those days—did I do that?!) A Unitarian-Universalist back then, pretty sure I said something snarky about the Bible because during the Q and A, one of the youth group’s advisors pushed back. “When you go on a road trip you use a map, right?” he said. “So why don’t you use the Bible as your guide?” Pretty sure I countered with something lofty and callow about knowing I could trust a map maker. (And, yes, there was some truth to that man’s question. It’s taken almost sixty years for me to see that!)

Yes, I reflected in the dark. I still trust map makers. Or, in the case of right now, I trust the engineers who designed this wet, noir highway. And I am so grateful for the workmen who laid down these life-saving lines I follow.

I can trust, too, that more Light will be given. Yard by yard. I don’t need to see all of it. I will be given Enough.

*I am not yet a candidate for cataract surgery. But like most people my age, such surgery is in my future.