Aging – Patricia Wild

Looming

Oscar season, this week I saw “Boy and The Heron,” a Best Animated Feature nominee. Instantly, this rich, episodic, allegorical film makes clear it takes place in Japan during World War II—so like many other viewers, I’d instantly anticipated Hiroshima and Nagasaki. (Spoiler alert: Hayao Miyazaki, the film’s director, goes in very different direction!) But we, seated in a darkened movie theater, don’t know that yet, do we. So we wait, already sensitized, already alert, already prepared to mourn. Every scene—and there are a lot of them—become that much more rich, more precious. It’s an experience not unlike reading The Diary of Anne Frank, isn’t it? We know the horrific fate of the gifted young writer we’re reading and so appreciate her every word, her every sentence that much more fully, don’t we.

Also this week: I discovered I have a sinus infection, am now on antibiotics, and feel almost like me, again. Looking back, I realize many of the low-grade yet affecting symptoms I’d had for almost two weeks—fatigue, mild depression, sensitivity to cold/chills—I’d assumed were because I’m getting old! (My sense of smell had also been affected, it seems, although that loss never registered.)

Hiroshima and Nagasaki did happen, didn’t they. Old age happens, too. Poignantly aware that, looming, changes will happen to my body that amoxicillin won’t cure, may I fully appreciate this extraordinary, present, rich gift of Life. All of it.

Your Cup of Tea?

English novelist Barbara Pym is not everyone’s cup of tea. Slyly hilarious, her emphasis on cosy (British spelling) and the seemingly dull, drab, poetry-reciting, aging women who people her novels are not to everyone’s taste. But when “the world is too much with us, late and soon,” I will grab one of her books—and get cozy.

Long-accustomed, I think, to close-third writing, Pym’s revelation of multiple characters’ interiority is so skillfully done that for years I never noticed. (Her liberal use of adverbs never registered either. Until it did. And was forgiven.) Nor did I adequately appreciate how she’d created female characters like “Jane” in her Jane and Prudence who, I finally realized after multiple readings, deserve my compassion and not the scorn their creator ruthlessly heaps upon her badly-dressed and wretched-cook women! Professionally-thwarted women like Jane—whose thin volume of essays written before she’d married could have been the beginnings of a successful writing career! Discounted women. Lonely women. Women seared by their war experiences and the privations that followed. Like I said: Barbara Pym is sly.

Best of all, while exploring those women’s interiority, she’ll write something like this (The context is World War II in an air raid shelter, at night, as Nazi planes fly overhead on their way to Liverpool):

“It’s so terrible,” said Laura helplessly, wishing there were something adequate one could say. But there was nothing. It was of no consolation to the bombed that the eyes of women in safe places should fill with tears when they spoke of them. Tears, idle tears were of no use to anyone, not even to oneself. This oppressive sorrow could not be washed away in the selfish indulgence of a good cry.

As I grieve for Gaza, as I grieve for the dear ones I’ve recently lost, as I grieve for the pain and suffering surrounding safe-place me, I, too, know my tears are of no use. I, too, know oppressive sorrow. Yet how elegantly Pym captures this enormous, endlessly confusing and confounding dilemma of consciousness! (I would quibble with that still-upper-lip “selfish,” though.)

One lump or two?

What Am I Called To Do (with asterisks)?:

To listen another’s soul into a condition of disclosure

and discovery may be almost the greatest service

one human being ever performs for another.

Douglas Steere

As my father got more and more frail and his children and grandchildren had begun to take on the major responsibilities at family get-togethers, leaving him with nothing to do, he’d say, “Never mind. I’ll just sit in the corner and drool.” He didn’t drool. But sometimes a younger family member would pull up a chair, sit down beside him, and listen to his stories. Which were wonderful.

As I and the warring, climate-disrupted world we all inhabit get more and more frail, asking the Universe: “What am I called to do?” seems an existential/spiritual question with some asterisks:

* at almost-eighty.

* that doesn’t add to my carbon footprint if I choose to witness/show up/minister.

*that would actually make a difference yet which I, on a fixed-income, can afford.

(You get the idea.)

Lately I have been pondering some ways we potential droolers might be useful in this unimaginably challenging time. Let me count the ways (so far):

Like the wonderful Steere quote, we can listen as others share their grief, their fears, their suffering.

Like my father, we can share own experiences; we can offer a long-view perspective. No, let’s be clear, there has never been a time quite so fraught (my dad’s word) as this. Yet surely our stories contain some nuggets the present generations might appreciate? Dare I say learn from? (Some buy-in’s probably required. Someone willingly chose to sit beside my father. Someone needs to ask us to recount the time when . . ., right?)

We can speak to the non-binary-All because we, too have suffered. We, too, have experienced unmitigated joy. And here we are. Our breath of experience adds more to the spectrum of What Being Conscious Is About, the All of it, its spectacular, wondrous, terrifying, maddening, unlimited array of experiences.

And, finally, this: I have seen what Love can do. Love is thoroughly embedded in that All; Its all-embracing power continually takes my breath away. It feels naive—silly—to write that, now, as wars wage everywhere. Everywhere! Yet over a lifetime, in the midst of conflict, when I remembered to speak or to act from a place of Love, everything shifted. Improved. Softened. This I know at almost-eighty.

Where is Love in Gaza? Where is Love in Ukraine? Yemen? The streets of Haiti, the streets of vandalized San Francisco? That’s impossible to say. What I can say is this: some of us along Elder Path may want to listen to your grief, your rage, your fears. Grateful to be able to experience this “greatest service one human being ever performs for another,” we can hear you with Love.

Moving Day

Years ago my Mets fan son-in-law, he and my daughter toying with the idea of leaving The Big Apple to live in Boston, did a really smart thing: he rode the T.*

“Nope,” he declared, when he finally made it home.** “Too many young people.”

He wasn’t wrong. With its 64 colleges and universities, greater Boston’s demographics are definitely skewed. Some MovingDay/Labor Day weekends, when thousands of people under the age of twenty-five return to this part of the world, I celebrate our region’s abundance of youthful energy. Some years: not so much.

This year, for an abundance of reasons, I teetered. (Pretty sure that our planet’s burning up has made me a little cranky.) But Friday, aka Moving Day, in late afternoon, as I walked in my neighborhood, its sidewalks strewn with all the stuff—like dish drainers and books—no one could deal with after a long, hot day of hefting boxes and furniture, I overhead this:

She: “So how was it?”

He: (Blustery, upset): “It was. . . ” (Stops. Considers; calmly) “I had an experience.”

She: (Pauses; warmly) “Right.”

*The T is what we greater Bostonians call our (ancient, ailing, maddening) public transportation system.

**Did I mention slow, too?

“Wait! What?”

Tom Jones, who wrote “The Fantasticks” book and lyrics, died this week. This news means something to me: In 1966 after graduating from college, I’d lived in Greenwich Village and a block from the Sullivan Street Theater where “The Fantasticks,” the world’s longest-running musical, played for forty years. So I saw it of course. And throughout my twenties I’d probably listened to its 1960, Jerry Orbach-as-El Gallo (the “Our Town”esque Stage Manager) soundtrack at least once a week. “Try to remember“*? Vividly.

Or so I’ve always thought. But this week, learning of Jones’ death, I listened to that original-cast album for the first time in years. And was gifted with a sixty-year old “Wait! What?” memory, aka a cognitive dissonance moment. (Are more of us thinking about this phenomenon after seeing “Barbie”? I know I am.)

My brain-scrambling, illogical moment happened when El Gallo sings “It Depends On What You Pay.” Which is a song about rape. (El Gallo argues that while “attempted abduction” is a more fitting description to what is about to happen, rape is “short and business-like.”) Wait! What? Up to that moment I’d loved everything about this charming, cardboard-moon-hung-on-a-tattered-curtain production. So why was I suddenly so disgusted?! And confused? Yet still in love?

At twenty-two, twenty-three, I had no language to explain my swirled, internal processing to myself. Any more than at that age I could have explained why I, whose grandmother had died of lung cancer, still smoked! Nor did I know enough to ask that all-important and all-clarifying question: Would a woman have written such a paean to sexual assault? Sixty years ago I had little to no understanding of another polysyllabic word: patriarchy. Nor know that I would continue to feel vaguely uneasy each subsequent time I listened to the LP. And that my uneasiness would eventually feel normal.

“Deep in December,” I know a little more about myself and my species. I now have two fancy words to explain my all-too-human self to myself—no, three. Because the patriarchy hasn’t exactly disappeared, has it.

Could I extend that same generous spirit to, say, someone who, despite all the compelling evidence/multiple indictments, still plans to vote for TFG?

Yikes.

*Try To Remember

Try to remember the kind of SeptemberWhen life was slow and oh, so mellowTry to remember the kind of SeptemberWhen grass was green and grain was yellowTry to remember the kind of SeptemberWhen you were a tender and callow fellowTry to remember and if you rememberThen follow, follow

Try to remember when life was so tenderThat no one wept except the willowTry to remember the kind of SeptemberWhen love was an ember about to billowTry to remember and if you rememberThen follow, follow

Deep in December, it’s nice to rememberAlthough you know the snow will followDeep in December, it’s nice to rememberThe fire of September that made us mellowDeep in December, our hearts should rememberAnd follow, follow, follow

Thank you, Comet C/2022 E3 (ZTF)

[“You are Star Stuff” by Betsy Roper]

Like many aging people, I sometimes struggle with insomnia. Anxious, depressed, fearful; it’s dark night of the soul time for sure. Over time, however, I’ve gleaned how to manage these gnarly sessions. Somewhat.
Lesson Number One: Never ask myself why I might be anxious. Because there’s always something to be anxious about, right? But if I choose to give this free-floating feeling a place to land, whatever situation or challenge I mentally name will not just land—it will colonize. And there goes any hope for sleep. No, better to give my gnawing brain something to chew on besides, say, a bumpy conversation with a dear friend that day, and maybe what I should have said was . . .
Once upon a time, repeating the lovingkindness prayer over and over on behalf of family and friends had worked like a charm. “May X be/feel safe. May X be happy. May X be healthy. May X live with ease,” I’d whispered over and over. My heart rate slowed and, enveloped in love, I’d fall back to sleep. Sadly, though, like a medication that over time loses its oomph, this practice is losing its efficacy. (Not that I’ll cease to send out lovingkindness into the universe. I have merely stopped expecting a different outcome.)
But recently I began to wonder if, like the lovingkindness prayer, focusing on something love-based might work. What if, during those tossing, turning moments, I considered my “All my relations”? And the “peace of wild things“? What if I reviewed the previous day to recall moments of wonder, moments of connection with something not anthropocentric, moments when I felt a part of the Whole and aligned with All?
Great idea, right? Two small problems, though. I live in a city. And it’s February!
But even in February, even in over-developed Somerville, such moments are possible. The five or six goldfinches who daily alight in the top branches of the tree across the street so easily visible as I write in my journal; how they glow in early morning sun! Or how the scraggly, messy, strangely beautiful native-plant garden bordering a park near my house warmed me on my cold, brisk walk. Or how . . .

Early days into this new practice, on Wednesday and Thursday, the nighttime sky provided such wonder; the passing of Comet C/2022 E3 (ZTF). Let me be clear: I experienced that wondrous, last-time-this-passing-happened-was-50,000-years-ago comet. I didn’t actually see it.

No: I mindfulness-nessed it. I stood in my back yard, faced north, and, like sending off the lovingkindness prayer into the universe, I sent off my awe, my gratitude, my alignment with Wholeness in that green-tinted comet’s general direction—before scurrying inside to get warm.

And slept well. Both nights.

Why I Choked Up—Maybe

Yesterday, Martin Luther King Day +1, like many greater Bostonians, I made the pilgrimage to downtown’s Boston Common to view the just- installed “The Embrace” sculpture. I was prepared to love this celebration of the moment when Dr. King and his wife Coretta learn he’s received the Nobel Peace Prize. And I did. I was not prepared to choke up.
The backstory to my tears: Because Monday’s snow and ice kept me from attending the sculpture’s installation, I’d read up on its backstory. To discover that its location commemorates a significant moment in Boston’s checkered civil rights history: when Dr. King spoke on Boston Common on April 23, 1965.
A senior at Wheelock College, I was there. But not to hear Dr. King!
May the story I’m about to tell illustrate more than my tiny little piece of American history: As readers of Way Opens know, in April of 1965, like most White Americans, my understanding of racism and our nation’s history was woefully ignorant. But when, the month before, Reverend James Reeb, a White Unitarian-Universalist minister, had been murdered in Selma, Alabama? That got my attention.
Here’s the point I want to make: Up until that cold and overcast April day nearly sixty years ago, I paid little attention to the civil rights movement. Vaguely aware of sit-ins, the Freedom Riders, that Dr. King visited Lynchburg, Virginia in 1962 where I was a senior in a just-desegregated high school, it took the murder of a member of my own denomination to finally break through my indifference.
BTW: Reeb’s name is inscribed on the plaza surrounding “The Embrace” alongside other Boston civil rights heroes—including Dr. Virgil Wood, still alive, I believe, whose picture graces the cover of Way Opens. Another story.
So I cried for that young, very young twenty-year old. And for of us who cannot recognize injustice nor show up at a march or demonstration or rally unless its cause relates to our own experience.
I’ll end with this: Resident of a metropolitan region infamously famous for its racism, for me that massive sculpture roused—what? grateful tears too?
I think so.

“And the days dwindle down . . . “

[It’s been a loooong time since I last posted. So: hello, again.]

Last week over lunch, a friend I’ve known since high school—Class of 1962—told me she hopes to live until eighty-six. What?

Her explicit, stark, and less-than-ten-years-left goal so rattled me I didn’t know what to say. I still don’t. But a few days later, I am so grateful for this gift of reckoning she gave me.

Oldest of a large family, she’s already let her siblings know—”so they can get used to the idea,” she told me.

While touched by her thoughtfulness, it’s her specificity I find most startling. And yet exhilarating. Daughter of parents who’d called death The Inevitable and talked as much about end-of-life decisions as about their grandchildren, I had nevertheless not yet let a stark truth penentrate: like my friend’s projected number of years left to live, there’s a very specific number for me, too! And, yes, maybe that number could be less than ten?! Oh. (Since both my parents died at 95, maybe I’d unconsciously glommed down on that very optimistic, blurry, in-the-mists number? Maybe. But no more.)

Both my sister and sister-in-law died in the past eight months; never have I been so aware of The Inevitable. Never have I been so grateful for Life; never has it been more precious. This recent reckoning, though, asks a slight re-write of that wonderful Mary Oliver question, doesn’t it: “Tell me, what is it you plan to do with your one wild, precious, and dwindling life?”

“Why Is This Okay?”

[Green Line tunnel]

Recently, driving to the Minneapolis airport for the first time, my husband and I arrived at the wrong terminal. This error turned out to be not a big deal, however, because we’re both fierce and devoted players on the Get To The Airport Super/Crazy Early Team.
Our obligatory journey from Terminal 1 to Terminal 2 involved a quick—and delightful—trip on a Twin Cities light rail. Um . . . wait! What? Public transit can be quiet?
To be fair, greater Boston’s Red Line, one branch of “the T,” is quiet, efficient; pleasant. But, as of March of this year, my Union Square neighborhood is now serviced by the T’s earliest branch: The Green Line.
Which isn’t.
Maybe because I’ve so recently been apprised of what light rail transportation could actually look like, sound like, or maybe because I am worn down by sorta-post-COVID diminishment so bearable urban woes have become less bearable, or maybe I’m becoming a cranky old lady. Whatever the reason, I am shocked, shocked to look around at my fellow passengers still scrolling their phones every time our car makes the slightest turn.”Why is this wretched screeching okay?” I long to ask them.
But here’s the thing: Before the Green Line was extended to my neighborhood, it had been funky, affordable, inhabited largely by students, artists and working class families. Now, tragically, my fellow passengers are people who can afford to live in Union Square!
So for all the wrong reasons, reasons dealing with race and class and entitlement, I have great hopes for a new and improved Green Line!
Jeez.

Comin’ Around Again

When I was young I was very young. And the world I grew up in was a younger world, a world that told me, “When you grow up, you can be a secretary, a nurse, or a teacher.” So for many reasons that seemed relevant in those long-ago times, I chose teaching. Given that those times’ imposed limitations meant that my “choice” wasn’t much of a choice, turns out I am a pretty good teacher! Turns out, interacting with children gives me enormous joy! Turns out, I got lucky.

Over the years my teaching career swerved from teaching elementary school-aged children, as I’d been trained to do in college, to teaching deaf teenagers, to, for almost 20 years, working with adult learners in housing projects, homeless shelters, and at an adult learning center. But when my first book was published in 1998, I declared myself a writer—and never looked back.

Until now. A grandmother, I am once again teaching small children at my Quaker meeting. I’m again writing lesson plans. I’m again buying art supplies. I’m again talking with parents about their children’s needs. I’m again being schooled by insightful and loving co-teachers. And scraping play-doh off a rug. (Oops.)

And while sometimes this gig feels very automatic—”You know, we’ve heard some wonderful ideas from you. Let’s see if someone else has some good ideas, okay?”—something feels absolutely new.

This choice is so, so different, isn’t it! So realized. So informed. So much about joyously reclaiming a part of myself that, yes, I’d only dimly understood over sixty years ago (GASP) when I’d chosen Teacher. So whole.

This I What We Do Now:

Last night at a Zoom worship group we were asked, “How has this pandemic affected your world view?” Um—yikes?

In the silence as we collectively pondered, each inside our own little tile, what came to me was something like this: I calibrate differently, now. Living through this constant, relentless pile-up of disaster after disaster, my aging brain now nimbly juggles, judges, assesses, rates, ranks and re-orders the daily headlines. What’s worse now? (And where is my heart most called to hold, pray, feel most profoundly?)

Like this: I live in Somerville’s Union Square which means I live in a neighborhood where I can’t walk on its sidewalks anymore because they’re obstructed by lumber and steel and beeping trucks. A treeless, ugly, noisy, blocks-long and blocks-wide construction site which, until last week, I’d termed “A war zone.”

But: no. For the past two weeks we’ve all seen real war zones, haven’t we. My dismay at what’s happening to my beloved neighborhood has lost primacy in my mental list of Things That Suck. Forever. I’ve recalibrated. And, heartbroken, hold the people of Ukraine and all who offer shelter to its fleeing people in the Light.

Or this: Yesterday afternoon a dear friend worried aloud: “Is there another variant out there? Will we have to go back to another shut-down? What’s going to happen?”

And a mental video of the past two years unspooled. I saw her, I saw me, I saw us, all of us who have survived, just do it! Again. First we cry, scream, up our anti-depressants; wonder if we have the strength to get through yet another Shit Show? And then, because we have no choice, because we now know that much, much worse things could happen, have happened, we shrug our collective shoulders. We put on our effing masks again.

Because that’s what we do.

“In My Ears”

Getting older sometimes means you think you remember things—but then again, do you, really? As in being told my beloved granddaughter would perform “Eleanor Rigby” with her fellow string players—Ruby plays the bass—at her school’s concert this week. And instantly replying, “The Beatles’ original featured strings , too!”

But did it?I wondered two seconds later. Was what was playing inside my head real?

Yes, Reader. It was.

Here’s what intrigues me: Decades ago, when I first listened to John’s and Paul’s lament on loneliness, I hadn’t heard the strings. I’d merely heard unexpected orchestration; something cool. But this week when recalling that music, “in my ears” I heard the strings. My remembered listening to “Eleanor Rigby” proved much richer, much deeper, much more varied than, to quote another Beatles song, “when I was younger, so much younger than today.”

Cool!

Now, where did I put my glasses?